| 30 Seconds [Or Longer]: For Jessica And Johnny
| (adam overton)
| "microscore" (or longer) for two instrumentalists in close proximity
|
| a hundred times
| (adam overton)
| flipping coins ...
|
| almost completely still
| ( : open to all levels :)
|
|
Alone Together
or
Between You and Me
| (adam overton)
| ... involving Schwartz & Dietz's 'Alone Together', in 3 simultaneous movements, with an optional Epilogue
|
| And / Or - 4 Pieces for James Orsher
| (adam overton)
| four pieces, for James Orsher
|
| an inch off the ground (for sam sfirri)
| (adam overton)
|
|
| Aura[l] Studies
| (adam overton)
|
|
| Bass Guitar Piece For Adam Overton
| (Catherine Lamb)
|
|
| Bath Piece for Mark So
| (adam overton)
| for solo performer, in bathtub
|
| BEATING.BLINKING for Bass Drums And Breaths
| (adam overton)
| 4 movements for 4 bass drummers with 4 volunteers, using blinks, heartbeats, and breaths...
|
| Best Friends Forever for Brooke Smiley
| (adam overton)
| ... fearing neither spit nor drool / best friends forever ...
|
| be "that guy" performance
| (adam overton)
|
|
| bits & pieces
| (adam overton)
| peruse several experimental performance scores (musical or otherwise) that interest you, selecting the bits and pieces of each that you like, and discarding the rest. combine and perform these bits and pieces as a single work.
|
| björk in the background
| (adam overton)
| björk's music in the background
|
| body.to.binary
| (adam overton)
|
|
| breakfast, lunch, or dinner
| (adam overton)
| during any performance...
|
| Breathing, Beating, Blinking for Large Ensemble
| (adam overton)
| a text score for chamber ensemble that instructs the musicians to observe their own heartbeat, blinks and breath, or those of their neighbor
|
Breathing.Beating.Blinking for Quartet or Quintet
or The Shape of Jazz to Come
| (adam overton)
| In 3 movements for Saxophone and/or Trumpet / Piano / ContraBass / Drums
|
| can't environment
| (adam overton)
|
|
cancel at the last minute piece
or
process over product piece
| (adam overton)
|
|
| Congratulations
| (adam overton)
| ... you have just performed this piece
|
| conspiracy piece
| (adam overton)
|
|
| Contact Studies
| (adam overton)
| for performers with amplified contact microphones, rubbing, scraping, scrubbing, wiping along one another's bare surfaces
|
| counterpoint piece
| (adam overton)
|
|
| date of expiration performance
| (adam overton)
|
|
| Deprivation Music Variations (for Eric km Clark)
| (adam overton)
|
|
| Difficult Music For Everybody
| (adam overton)
| 4 pieces of difficult music for "everybody", with accompanying essay-miniature
|
| disappear
| ( : open to all levels :)
|
|
| drum solos
| (adam overton)
| titles, or themes, for solo improvisations by the beginner, intermediate, or advanced drumset player
|
| Duet (for Tashi Wada)
| (adam overton)
| a duet for (semi-)psychic violinists, or any other pair of (semi-)psychic instrumentalists
|
| experimental performance "egg-hunt"
| (adam overton)
| perhaps like déja vu...
|
| fade out event
| (adam overton)
|
|
| fidgeting music
| ( : open to all levels :)
|
|
| for any acoustic instrument
| (adam overton)
| playing amplified acoustic instruments with teardrops, for ensemble (or solo)
|
| for any stolen instrument
| (adam overton)
| for Nathan Brown
|
| For Everybody In Attendance
| (adam overton)
|
|
| For Kinah Boto
| (adam overton)
| make it swing...
|
| For Performer And Hidden Object
| (adam overton)
| hide a mildly uncomfortable object of your choice, somewhere where it will be hard to forget its presence...
|
| for redheads
| (adam overton)
|
|
| general explanation piece
| (adam overton)
| explain a score to the performer...
|
| general impression piece
| (adam overton)
| ... formulate a process or a manner in order to, in a sense, re-perform another work based on your general impression of it ...
|
| get just a little bit closer piece
| (adam overton)
|
|
| instead piece
| (adam overton)
|
|
| intimate voicemail performance
| (adam overton)
|
|
| In To / Out Of (For Francesco Gagliardi)
| (adam overton)
| up to and into that moment where your audience, and/or your situation, disappears...
|
| Laundromat Music
| (adam overton)
| for Steve Reich
|
| Listening Performances
| (adam overton)
| The following are listening options that can be offered to spectators before any musical or sonic occasion, and can be used especially during any performance that one might not be enjoying for whatever reason(s).
|
| MATERIAL ACTION IMPROVISATION
| (adam overton)
| material[s], action[s], improvisation[s] ... whatever, however, now ... with and/or without intention
|
| maximum occupancy / capacity piece
| (adam overton)
|
|
| Napping Music
| (adam overton)
|
|
| Non-Harmonic Orchestra Koan
| (adam overton)
|
|
| of William Fowler Collins
| (adam overton)
|
|
| overzealous photographer piece
| (adam overton)
|
|
| pageturner performance
| (adam overton)
|
|
| Peeling Piece
| (adam overton)
| for several, in a warm to hot and/or otherwise stuffy [but quiet] environ, peeling instruments off our skin...
|
| pep band piece
| (adam overton)
| for Pep Band instrumentation, interpreting Pep Band music, in a large gymnasium ...
|
| phone number action
| (adam overton)
| for airplanes (as your audience), the phone number of a friend of yours on the roof of your home
|
| polyrhythms (construction)
| (adam overton)
| polyrhythms with/against nearby construction rhythms ...
|
Popp Song Performance for Nancy
and
Nancy Popp, the Drinking Game
| (adam overton)
| two devotional pieces dedicated to the fabulous Nancy Popp, handed out as notecards and demonstrated to those in attendance
|
Positions [Of Potential And Respite] For Musician
or
It's up to you to save the world, Eric km Clark
| (adam overton)
|
|
| Presence Series - Duet [ for Orin Hildestad & Michelle Lou ]
| (adam overton)
|
|
| public bathroom piece
| (adam overton)
|
|
| Romantic Music: Solo For Orchestra Nos. 1 & 2
| (adam overton)
| to tears, to climax...
|
| ruin your career piece
| (adam overton)
|
|
| Score Titles, Collection
| (adam overton)
| What follows is simply a list of individual, unrelated scores with titles but no instruction...
|
| sensation, for sound
| (adam overton)
| ... whenever a sound or action is specified, substitute a subtle, somewhat private "sensation" instead.
|
| Solo And Duet For Dominique
| (adam overton)
|
|
| solo for contrabass and/or voice
| (adam overton)
|
|
| Solo For Guitar
| (adam overton)
| breathing, blinking, pulsing, for solo guitar
|
| solo for violinist, violist, cellist or contrabassist
| (adam overton)
| a solo, performed alone or with other soloists, up to and including their limits...
|
| three [day]dreams (for orin hildestad)
| (adam overton)
|
|
| three pieces for simone, luke, sarah, douglas
| (adam overton)
|
|
| Time After Time After . . .
| (adam overton)
| 60 claps and sung tones in 60 minutes, for ensemble...
|
| Touch Music Pieces
| (adam overton)
| 3 touch pieces for ensemble
|
| unison
| (adam overton)
| if possible: unison
|
| Up To And Including Her Limits
| (adam overton)
|
|
| vacationland piece
| (adam overton)
| for your next vacation or trip...
|
| Variations On Alison Knowles' Piece For Any Number Of Vocalists
| (adam overton)
| remembering the music you heard when...
|
| Visualization
| (adam overton)
| duo - trust your vision...
|
| What Do We Do Now? Performance
| (adam overton)
| "So, what do we do now?"
|
| while performing any piece ...
| (adam overton)
|
|
| Whisper Performance
| (adam overton)
|
|
| Yelling Pieces I
| (adam overton)
| "for as long and as loud as one desires"
|
| Yelling Pieces II
| (adam overton)
| "for as long and as loud as one desires"
|
