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Browse scores with the Keyword: Graphic Score
* note: This page only shows scores that have "Graphic Score" explicitly listed as a keyword.
To find scores or pages that have more-than-one keyword, or to browse scores whose titles or pages also contain "Graphic Score",
try using the Search Bar at the top of this page.
| Aria for voice(s) (2010-11)
| (Alexis Porfiriadis)
| Verbal (25 actions) - Graphic (10 collages) score for voice(s)
| | Best Friends Forever for Brooke Smiley
| (adam overton)
| ... fearing neither spit nor drool / best friends forever ...
| | Binary Translation
| (Daniel Barbiero)
|
| | clippings . 03 Sept 2008
| (adam overton)
| toenails, graphic score for any instrument(s) or action(s)
| | clippings . 11 Feb 2009
| (adam overton)
| fingernails & toenails, graphic score for any instrument(s) or action(s)
| | clippings . 14 Oct 2008
| (adam overton)
| fingernails & toenails, graphic score for any instrument(s) or action(s)
| | clippings . 15 Dec 2008
| (adam overton)
| fingernails & toenails, graphic score for any instrument(s) or action(s)
| | clippings . 15 Sept 2008
| (adam overton)
| fingernails, graphic score for any instrument(s) or action(s)
| | clippings . 20 Nov 2008
| (adam overton)
| fingernails, graphic score for any instrument(s) or action(s)
| | clippings . 28 Oct 2008
| (adam overton)
| fingernails, graphic score for any instrument(s) or action(s)
| | clippings . 2 March 2009
| (adam overton)
| fingernails, graphic score for any instrument(s) or action(s)
| | clippings . 30 Sept 2008
| (adam overton)
| fingernails, graphic score for any instrument(s) or action(s)
| | clippings . 5 April 2009
| (adam overton)
| fingernails & toenails, graphic score for any instrument(s) or action(s)
| | clippings . early Jan 2009
| (adam overton)
| fingernails, graphic score for any instrument(s) or action(s)
| | drei, 1-21 (2009)
| (stefan thut)
|
| | Facebook UDP Announcement Garbled Piece
| (adam overton)
| for the launch of this website, i tried to post an event to facebook, and out came this fabulous garbled mess...
| | One/1
| (Peter Bo Rappmund)
| Byzantine chant atomized and recompiled into instructions for visual edits and cues. Files below: original score with notes; graphic score interpretation for film.
| | posture series (of aaron spafford)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of april guthrie)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of asher hartman)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of ben davis)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of brooke taylor smiley)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of carol mcdowell)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of carol mcdowell (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of casey anderson)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of cassia streb)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of cassia streb (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of catherine lamb)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of christa graf)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of christine tavolacci)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of corey marc fogel)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of corey marc fogel (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of daniel clay)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of david kendall)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of devin mcnulty)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of dorit cypis)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of dorit cypis (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of eric km clark)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of gary flom)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of gerhard schultz)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of hana van der kolk)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of haruko tanaka)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of jessica catron)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of johnny chang)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of katie clark)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of lailye weidman)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of lara bank)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of laura steenberge)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of lewis keller)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of madison brookshire)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of mari garrett)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of mark allen)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of mark g. so)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of mark so (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of michael parker)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of michael pisaro)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of michele yu)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of mike winter)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of nat slaughter)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of orin hildestad)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of rachel manderfeld)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of raven chacon)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of robert cheatham)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of ryan o'toole)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of tanya rubbak)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of tashi wada)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | Rising
| (André Vida)
|
| | Spotting Nowhere for 4 string instruments (2010)
| (Alexis Porfiriadis)
| Verbal (43 actions) and graphic (29 graphics) score for ensemble
| | twentysix
| (Richard Kamerman)
| text-based graphic score generated with the aid of optical character recognition software
| | Two/1,2,3,4
| (Peter Bo Rappmund)
| Léonin's Magnus Liber Organi atomized and reconstructed as a set of instructions for film edits and cues. Series of 4 films based on a graphic score as derived from the source material. Files below: comparison between original and new score; comparison between new score and Final Cut timeline; two timelines with different interpretations of the graphic score; full graphic reinterpretation of aforementioned score.
| | zwei, 1-20 (2008)
| (stefan thut)
|
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