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Browse scores with the Keyword:  Graphic Score
* note: This page only shows scores that have "Graphic Score" explicitly listed as a keyword.
To find scores or pages that have more-than-one keyword, or to browse scores whose titles or pages also contain "Graphic Score",
try using the Search Bar at the top of this page.

 

 

 

after 30 x 12 (for c (Daniel Barbiero) graphic score for solo string instrument
Best Friends Forever for Brooke Smiley (adam overton) ... fearing neither spit nor drool / best friends forever ...
Binary Translation (Daniel Barbiero)
clippings . 03 Sept 2008 (adam overton) toenails, graphic score for any instrument(s) or action(s)
clippings . 11 Feb 2009 (adam overton) fingernails & toenails, graphic score for any instrument(s) or action(s)
clippings . 14 Oct 2008 (adam overton) fingernails & toenails, graphic score for any instrument(s) or action(s)
clippings . 15 Dec 2008 (adam overton) fingernails & toenails, graphic score for any instrument(s) or action(s)
clippings . 15 Sept 2008 (adam overton) fingernails, graphic score for any instrument(s) or action(s)
clippings . 20 Nov 2008 (adam overton) fingernails, graphic score for any instrument(s) or action(s)
clippings . 28 Oct 2008 (adam overton) fingernails, graphic score for any instrument(s) or action(s)
clippings . 2 March 2009 (adam overton) fingernails, graphic score for any instrument(s) or action(s)
clippings . 30 Sept 2008 (adam overton) fingernails, graphic score for any instrument(s) or action(s)
clippings . 5 April 2009 (adam overton) fingernails & toenails, graphic score for any instrument(s) or action(s)
clippings . early Jan 2009 (adam overton) fingernails, graphic score for any instrument(s) or action(s)
daseindadazen (Pedro Filho Amorim) Graphic score (with some recognizably playable elements) for solo flute
drei, 1-21 (2009) (stefan thut)
Facebook UDP Announcement Garbled Piece (adam overton) for the launch of this website, i tried to post an event to facebook, and out came this fabulous garbled mess...
Hamlet (Carolyn Chen) opera for 6 percussionists, starring tabla, steel drum, and timpani
One/1 (Peter Bo Rappmund) Byzantine chant atomized and recompiled into instructions for visual edits and cues.    Files below: original score with notes; graphic score interpretation for film.
posture series (of aaron spafford) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of april guthrie) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of asher hartman) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of ben davis) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of brooke taylor smiley) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of carol mcdowell) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of carol mcdowell (2)) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of casey anderson) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of cassia streb) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of cassia streb (2)) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of catherine lamb) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of christa graf) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of christine tavolacci) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of corey marc fogel) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of corey marc fogel (2)) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of daniel clay) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of david kendall) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of devin mcnulty) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of dorit cypis) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of dorit cypis (2)) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of eric km clark) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of gary flom) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of gerhard schultz) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of hana van der kolk) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of haruko tanaka) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of jessica catron) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of johnny chang) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of katie clark) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of lailye weidman) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of lara bank) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of laura steenberge) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of lewis keller) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of madison brookshire) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of mari garrett) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of mark allen) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of mark g. so) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of mark so (2)) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of michael parker) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of michael pisaro) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of michele yu) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of mike winter) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of nat slaughter) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of orin hildestad) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of rachel manderfeld) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of raven chacon) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of robert cheatham) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of ryan o'toole) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of tanya rubbak) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
posture series (of tashi wada) (adam overton) graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
Rising (André Vida)
twentysix (Richard Kamerman) text-based graphic score generated with the aid of optical character recognition software
Two/1,2,3,4 (Peter Bo Rappmund) Léonin's Magnus Liber Organi atomized and reconstructed as a set of instructions for film edits and cues.  Series of 4 films based on a graphic score as derived from the source material.  Files below: comparison between original and new score; comparison between new score and Final Cut timeline; two timelines with different interpretations of the graphic score; full graphic reinterpretation of aforementioned score.
Unconfirmed Report (Dean Rosenthal) Graphic score based on the composer's EKG.
zwei, 1-20 (2008) (stefan thut)

 

 

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this page created 26 Nov 2014 & last updated Wed, 26 Nov 2014,  1:39am PST
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