| 180°
| (Liam Mooney)
| a piece where performers play triangles with dry ice
|
| 20051
| (Manfred Werder)
| indeterminate
|
| 20081
| (Manfred Werder)
| indeterminate
|
| 20082
| (Manfred Werder)
| indeterminate
|
| 20083
| (Manfred Werder)
| indeterminate
|
| 20084
| (Manfred Werder)
| indeterminate
|
| 20091
| (Manfred Werder)
| indeterminate
|
| 20092
| (Manfred Werder)
| indeterminate
|
| 20094
| (Manfred Werder)
| indeterminate
|
| 20095
| (Manfred Werder)
| indeterminate
|
| 20112
| (Manfred Werder)
| indeterminate
|
| 20113
| (Manfred Werder)
| indeterminate
|
| 20114
| (Manfred Werder)
| indeterminate
|
| 20115
| (Manfred Werder)
| indeterminate
|
| 20121
| (Manfred Werder)
| indeterminate
|
| 20122
| (Manfred Werder)
| indeterminate
|
| 20123
| (Manfred Werder)
| indeterminate
|
| 20124
| (Manfred Werder)
| indeterminate
|
| 20125
| (Manfred Werder)
| indeterminate
|
| 20127
| (Manfred Werder)
| indeterminate
|
| Action For A Monday Lunchtime
| (Michael David Jones)
| On the nature of chance.
|
| an ort, 1-9 (2009)
| (stefan thut)
|
|
| Boundary Conditions
| (Daniel Barbiero)
|
|
| Coincident
| (Phil Julian)
| Performers make an audio recording at a specified time / date & duration.
|
| Dangerous Piece
| (Dave Ruder)
| for performer(s)
|
| (de)tuning piece
| (Pedro Filho Amorim)
| Piece for plucked strings in 3 moves (detuning, playing, re-tuning)
|
| drei, 1-10 (2007)
| (stefan thut)
|
|
| Drops for ensemble (2008-09)
| (Alexis Porfiriadis)
| Verbal-graphic score (42 pages) for ensemble
|
| Duet for Savages
| (Charles Turner)
| for two instrumentalists
|
| economics
| (David Pocknee)
| "in art, as in life, those with the most money control the cultural agenda..."
|
| Floortet
| (Liam Mooney)
| a piece where a bunch of people drop metal things on the floor
|
| for technician and audio
| (Aidan Reynolds)
|
|
| Ghosting
| (Phil Julian)
| Score for tonal / environmental performance.
|
| Great Piece (instead of GreatPiece or greatpiece)
| (Jane Doe)
| use examples that are given to you
|
| guit, guit, 1-11 (2007)
| (stefan thut)
|
|
| Helicopter Tag
| (Arianne Hoffmann)
|
|
| Interspersions for Dancer Video Double Bass
| (Daniel Barbiero)
|
|
| Joy and Listen for ensemble (2010)
| (Alexis Porfiriadis)
| Verbal scores for ensembles
|
| Lamination
| (Cristyn Magnus)
| for flute and environmental sounds
|
| Minerals
| (James Klopfleisch)
|
|
| Mirror
| (Cristyn Magnus)
|
|
| n equals
| (Aidan Reynolds)
|
|
| Noise
| (Scott Cazan)
| A work for megaphones based on Google search queries. The title is a reference to the book, "Noise: The Political Economy of Music" by Jacques Attali.
|
| Oasis
| (Liam Mooney)
| a piece where dry ice is put in balloons, and the balloons later pop
|
| One minute is more than one minute (2011)
| (Alexis Porfiriadis)
| One-minute work for ensemble (at least 5 persons)
|
| Outliers
| (Scott Cazan)
| A work for 3 or more performers involving the statistical analysis of its own performance
|
| Pantomime Grasshopper
| (Cristyn Magnus)
|
|
| Piece A of the Piece
| (Brian McCorkle)
| Experiment in movement, drone, and planetary bodies
|
| Proportions Score
| (Arianne Hoffmann)
| one of the scores from the Bricklayers With A Sense Of Humor project
|
| Prose Anthology 1983-88
| (Daniel James Wolf)
| Including: DISTINCTIONS for small ensemble / CONNECTION (After William Billings) for ensemble / SCHOOL OF LEVITATION for any bowed instrument / ELECTRONIC PIECES: 1. All the wrong places, 2. Funhouse, or She Came Back, 3. One Last Wave / LARGE ENSEMBLE / BACKYARD CONSPIRACIES / SERENADE / SATISFACTORY RENOVATIONS OF FAMILAR CONTENTS / SARDINES
|
| Pyramid Gambit
| (Daniel Barbiero)
|
|
| Rehearsal Pieces
| (Jason Grier)
| Pieces with scheduled rehearsal times and locations.
|
| Repeat
| (Phil Julian)
| Repeating tonal piece.
|
| Resistance to the progress of time
| (Jeremy J Quinn)
| A performance to protest the passing of time and attempt to stop it
|
| Second Skin With Lungs
| (Nick Hennies)
| Imitation and punctuation of silence
|
| some, 1-4 (2009)
| (stefan thut)
|
|
| String piece, August 2011
| (David Papapostolou)
|
|
| Technical Difficulties
| (john)
|
|
| The Conversation (talk-to-Tim version)
| (Tim Devin)
| “The Conversation” is an interactive performance piece for two (or more) people. It can be performed in public (either as an announced performance, or guerrilla-style). Or it can be performed at home, or over the phone, when no one else is watching. “The Conversation” has two variations: the “talk-amongst-yourselves” version, and the “talk-to-Tim” version.
|
| The Conversation (the talk-amongst-yourselves version)
| (Tim Devin)
| “The Conversation” is an interactive performance piece for two (or more) people. It can be performed in public (either as an announced performance, or guerrilla-style). Or it can be performed at home, or over the phone, when no one else is watching. “The Conversation” has two variations: the “talk-amongst-yourselves” version, and the “talk-to-Tim” version.
|
| The Everyday Exchange (the anywhere do-it-yourself version)
| (Tim Devin)
| “The Everyday Exchange” is a performance piece for two people. It has two variations: the “Boston-area interact-with-Tim” version, and the “anywhere do-it-yourself” version.
|
| The Everyday Exchange (the Boston-area interact-with-Tim version)
| (Tim Devin)
| “The Everyday Exchange” is a performance piece for two people. It has two variations: the “Boston-area interact-with-Tim” version, and the “anywhere do-it-yourself” version.
|
| the line
| (Arianne Hoffmann)
| one of the scores from the Bricklayers With A Sense Of Humor project
|
| the pile
| (Arianne Hoffmann)
| one of the scores from the Bricklayers With A Sense Of Humor project
|
| threetroistaa
| (osKer LLirrem)
|
|
| Titanic
| (Isaac Schankler)
| Titanic is about icebergs and other big things.
|
| Twenty Conjunctions for Two or More Performers
| (Daniel Barbiero)
|
|
| Twenty Events for N Soloists
| (Daniel Barbiero)
|
|
| vier, fünf (2008)
| (stefan thut)
|
|
