| 30 Notes for Drum
| (Todd Lerew)
|
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| 30 Seconds [Or Longer]: For Jessica And Johnny
| (adam overton)
| "microscore" (or longer) for two instrumentalists in close proximity
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| (4)duos
| (Casey Anderson)
|
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| after two three
| (Rasmus Borg)
|
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| Again And Again I Was Somewhere Else
| (Richard Kamerman)
|
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| A Mousse Tongue
| (Asher Hartman)
| A Mousse Tongue Mousse your hair Mousse your hair Mousse your hair Mousse it Mousse your hair Speak And Mousse Mousse and Speak Take the addresses of your fathers, your forefathers, their fathers and stuff them in your mouth Speak and mousse your hair Mousse it Speak the addresses Mousse it good Make it stand up Get a friend A her And make her state her poems While you make your hair stiff
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| Aphairesis
| (Leo Svirsky)
|
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| Aphairesis II
| (Leo Svirsky)
| Every note is a wrong note.
|
| Art As Excuse: Untitled Private Encounter
| (adam overton)
| art as excuse: would you care to meet up at some point for an "untitled private encounter"?
|
| as if their shirts are sewn together (after Alexis)
| (john)
|
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| ASLEEP PIECE (natural born fluxus)
| (adam overton)
| ... waiting for someone to pick you up, limp with eyes closed, to place you in bed
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| At Once by Other Ones
| (Cristyn Magnus)
| for contrabass and optional interactive electronics
|
| Best Friends Forever for Brooke Smiley
| (adam overton)
| ... fearing neither spit nor drool / best friends forever ...
|
| bits & pieces, no. 01: a constant noise
| (adam overton)
|
|
| bits & pieces, no. 06: Four Hand Piano
| (adam overton)
|
|
| bits & pieces, no. 07: emotional and spiritual memory is being created
| (adam overton)
|
|
| Cairn
| (James Klopfleisch)
| For 2 violins, utilizing adapted morse code.
|
| Chest Piece
| (freefreethinker)
| For Jodie Buxton.
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| Connect (breath)
| (john)
|
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| Connect (catch)
| (john)
|
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| Connect (walk a mile in someone else's shoes)
| (john)
|
|
| Dinner with a Stranger
| (Paul Butler)
| arrange a dinner with a stranger from a website
|
| DOG POOP PIECE (natural born fluxus)
| (adam overton)
| Convince someone, ...
|
| Doing by Undoing #4
| (Arianne Hoffmann)
| This score is gives you instructions for a solo for two, a mover and a scribe. The mover must have a thoroughly analyzed movement phrase ready to offer to the audience to begin the piece. Be anywhere in space, pick any movement you would like to include. Consider it a conversation starter. GO.
|
| Duet
| (Raven Chacon)
|
|
| Duet for Savages
| (Charles Turner)
| for two instrumentalists
|
| Duet (for Tashi Wada)
| (adam overton)
| a duet for (semi-)psychic violinists, or any other pair of (semi-)psychic instrumentalists
|
| Duet-Something
| (James Klopfleisch)
|
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| DUO
| (André Vida)
|
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| Duo For Melodicas
| (ADACHI Tomomi)
|
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| Echo Contest
| (Raven Chacon)
|
|
| eight systems
| (Jacob Feinberg)
|
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| Exercise for Improvisors No.1 - No. 9
| (ADACHI Tomomi)
|
|
| finding gold or great makeout piece for a dark projection room or how i learned to like Tracey Emin
| (john)
| (i think this is one of my best scores)
|
| For Bad Brains
| (James Klopfleisch)
| for 2 accordianists, P.M.A.
|
| frame for flute
| (Catherine Lamb)
|
|
| Great Piece (instead of GreatPiece or greatpiece)
| (Jane Doe)
| use examples that are given to you
|
| guit, guit, 1-11 (2007)
| (stefan thut)
|
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| I'm glad ur happy Piece
| (adam overton)
|
|
| in passing/parallel
| (Catherine Lamb)
|
|
| intimate voicemail performance
| (adam overton)
|
|
| Inuksuit
| (James Klopfleisch)
| For 2 clarinets, one B-flat and one bass
|
| Jubilee Dérives Pamphlet
| ( : open to all levels :)
| a menu of dérives...
|
| lexical semantics
| (Todd Lerew)
|
|
| Listen Doctor
| (Caref Rockland)
| (Sofi)
|
| Lives (2)
| (Nick Hennies)
| Various percussion instruments play single pitches, durations determined by decay
|
| Mirror Hair Cut
| (john)
| Created and performed with Jack Heard at Sea and Space Explorations on June 5th, 2010
|
| Observe
| (Austin Sacry)
|
|
| parallel/moving
| (Catherine Lamb)
|
|
| pinecone piece 10 (little fucking glitter cones)
| (adam overton)
| for Samantha Cohen and Stephen van Dyck
part of a series of pinecone pieces
|
| pinecone piece 1 (for John Lely)
| (adam overton)
| for John Lely
part of a series of pinecone pieces
|
| pinecone piece 2 (for Carly and Suneeta)
| (adam overton)
| for Carly and Suneeta
part of a series of pinecone pieces
|
| pinecone piece 4 (of Stuart Sherman)
| (adam overton)
| for Audra Wolowiec
part of a series of pinecone pieces
|
| Robbie Hansen: Quite Playin wit Cho Balls
| (experimental meditation database)
| A video of indicative objects seemingly functioning as one mind.
|
| Settle
| (Nick Hennies)
|
|
| seven minutes in heaven performance
| (adam overton)
|
|
| slice (a microscore)
| (Catherine Lamb)
|
|
| Solo And Duet For Dominique
| (adam overton)
|
|
| stringscape 2
| (Dominic Lash)
|
|
| Surfaces
| (Austin Sacry)
|
|
| Tapedances
| (Barbara Lazara)
| Voice, Space and Body Ensamble for Tape Recorders
|
| The Everyday Exchange (the anywhere do-it-yourself version)
| (Tim Devin)
| “The Everyday Exchange” is a performance piece for two people. It has two variations: the “Boston-area interact-with-Tim” version, and the “anywhere do-it-yourself” version.
|
| The Everyday Exchange (the Boston-area interact-with-Tim version)
| (Tim Devin)
| “The Everyday Exchange” is a performance piece for two people. It has two variations: the “Boston-area interact-with-Tim” version, and the “anywhere do-it-yourself” version.
|
| three by three
| (Dominic Lash)
|
|
| to hot to touch
| (LikesIthoT)
| Air Touch
|
| Untitled
| (Ian Power)
| Duo for viola and cello
|
| "untitled" after Andrea
| (Maria Savorgnan)
|
|
| Up To And Including Her Limits
| (adam overton)
|
|
| Visualization
| (adam overton)
| duo - trust your vision...
|
| You are already dancing, Blake Beckham
| (adam overton)
| four movements (solo, duet, solo / duo / or trio, ...) for...
|
| zwei, 1-20 (2008)
| (stefan thut)
|
|
