| 100 Pieces / 1 Hour
| (ADACHI Tomomi)
| "100 Pieces / 1 Hour" is a collection of 100 scores for performances. It was composed from 14:00 to 15:00 (JST) on March 11th 2011 at Tokyo. The composing process was a kind of performance and also a private ritual itself. All scores are independent and each for a single (or multiple) performance. They are direct responses to works by George Brecht, though it is not only one name. A few pieces include Japanese words.
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| 20051
| (Manfred Werder)
| indeterminate
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| 20061
| (Manfred Werder)
| indeterminate
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| 20062
| (Manfred Werder)
| indeterminate
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| 20071
| (Manfred Werder)
| indeterminate
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| 20081
| (Manfred Werder)
| indeterminate
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| 20082
| (Manfred Werder)
| indeterminate
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| 20083
| (Manfred Werder)
| indeterminate
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| 20084
| (Manfred Werder)
| indeterminate
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| 20086
| (Manfred Werder)
| indeterminate
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| 20091
| (Manfred Werder)
| indeterminate
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| 20092
| (Manfred Werder)
| indeterminate
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| 20093
| (Manfred Werder)
| indeterminate
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| 20094
| (Manfred Werder)
| indeterminate
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| 20095
| (Manfred Werder)
| indeterminate
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| 20101
| (Manfred Werder)
| indeterminate
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| 20102
| (Manfred Werder)
| indeterminate
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| 20103
| (Manfred Werder)
| indeterminate
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| 20104
| (Manfred Werder)
| indeterminate
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| 20105
| (Manfred Werder)
| indeterminate
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| 20111
| (Manfred Werder)
| indeterminate
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| 20112
| (Manfred Werder)
| indeterminate
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| 20113
| (Manfred Werder)
| indeterminate
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| 20114
| (Manfred Werder)
| indeterminate
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| 20115
| (Manfred Werder)
| indeterminate
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| 20121
| (Manfred Werder)
| indeterminate
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| 20122
| (Manfred Werder)
| indeterminate
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| 20123
| (Manfred Werder)
| indeterminate
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| 20124
| (Manfred Werder)
| indeterminate
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| 20125
| (Manfred Werder)
| indeterminate
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| 20127
| (Manfred Werder)
| indeterminate
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| 4:BG04/10PVD'09
| (Richard Kamerman)
| a private work for a public space
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| a diary
| (Casey Anderson)
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| And / Or - 4 Pieces for James Orsher
| (adam overton)
| four pieces, for James Orsher
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| append this
| (Jukka-Pekka Kervinen)
| Open score for any number of instruments.
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| aussen raum (2008)
| (stefan thut)
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| Automorphic Piece for Standing
| (Adam James Davis)
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| "Back into the mixing desk..."
| (Adam James Davis)
| The circulation of signals through the signal paths of a recording studio is the music.
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| Bass Guitar Piece For Adam Overton
| (Catherine Lamb)
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| beyond that
| (Jukka-Pekka Kervinen)
| Open score for any number of instruments.
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| Chest Piece
| (freefreethinker)
| For Jodie Buxton.
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| climate (an almanac)
| (Casey Anderson)
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| Conference
| (ADACHI Tomomi)
| Ensemble piece. Text score.
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| Connect (help)
| (john)
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| Construction
| (Teodora Stepančić)
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| Continuous Random Variable
| (Todd Lerew)
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| controlled vocabularies
| (Casey Anderson)
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| Crete Song (2010)
| (Alexis Porfiriadis)
| Verbal Score
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| Cycling The Bag Piece
| (Christian Kesten)
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| (de)tuning piece
| (Pedro Filho Amorim)
| Piece for plucked strings in 3 moves (detuning, playing, re-tuning)
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| Die Analphase
| (MARTIN BACK)
| text score, which requires a degree of anal penetration
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| drei, 1-10 (2007)
| (stefan thut)
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| drei, 1-21 (2009)
| (stefan thut)
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| Duet (for Tashi Wada)
| (adam overton)
| a duet for (semi-)psychic violinists, or any other pair of (semi-)psychic instrumentalists
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| Duo For Melodicas
| (ADACHI Tomomi)
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| eine/r, 1-6 (2007)
| (stefan thut)
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| Exercise for Improvisors No.1 - No. 9
| (ADACHI Tomomi)
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| For Cello (Chinese Character for Instrument)
| (ADACHI Tomomi)
| Graphic score / Visual poem / Text score
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| For Clarinet (Chinese Character for Instrument)
| (ADACHI Tomomi)
| Graphic score / Visual poem / Text score
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| For Mixed Chorus (Chinese Character for Instrument)
| (ADACHI Tomomi)
| Graphic score / Visual poem / Text score
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| for tom johnson
| (Jack Callahan)
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| For Violin and Piano (Chinese Character for Instrument)
| (ADACHI Tomomi)
| Graphic score / Visual poem / Text score
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| Ghosting
| (Phil Julian)
| Score for tonal / environmental performance.
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| guit, guit, 1-11 (2007)
| (stefan thut)
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| Harmony number
| (David Kant)
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| having almost never played a note
| (Jack Callahan)
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| Helicopter Tag
| (Arianne Hoffmann)
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| idle chatter
| (Casey Anderson)
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| idle text
| (Casey Anderson)
| melodies and readings
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| I is ct
| (Jukka-Pekka Kervinen)
| Open score for any number of instruments.
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| impermanent and disposable
| (Arianne Hoffmann)
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| Instructions for an Ideology - Transhumanism
| (Adam James Davis)
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| ...in the time of dreaming...
| (Jonathan Jackson)
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| John Cage Transcription
| (ADACHI Tomomi)
| Text score
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| Joy and Listen for ensemble (2010)
| (Alexis Porfiriadis)
| Verbal scores for ensembles
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| Lamination
| (Cristyn Magnus)
| for flute and environmental sounds
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| living room + accoutrements [database]
| (Casey Anderson)
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| long enough
| (Jukka-Pekka Kervinen)
| Open score for any number of instruments
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| map 1
| (Jukka-Pekka Kervinen)
| open score for any number of instruments
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| Method Music No. 8
| (ADACHI Tomomi)
| Minimal serial composition.
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| modulations ii
| (Jack Callahan)
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| Newspaper Singing
| (ADACHI Tomomi)
| A piece for voice performer. Text score.
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| NO TITLE [NO AIR]
| (Casey Anderson)
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| Outliers
| (Scott Cazan)
| A work for 3 or more performers involving the statistical analysis of its own performance
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| participation in sound environments #1
| (Aidan Reynolds)
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| People's music (2008/09)
| (Alexis Porfiriadis)
| Verbal scores collection
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| possible round(s)
| (Casey Anderson)
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| Projected Space 1.x for Harmoniums and Recorded Medium
| (Luke Thomas Taylor)
| Piece for one or more Harmoniums to be performed with a recording of the previous performance. This is a card shuffling piece, so the file should be printed to 3x5 cards. Contact me if you'd like to perform it and I will provide you with the latest recording.
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| Pyramid Gambit
| (Daniel Barbiero)
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| quietly stare
| (Jukka-Pekka Kervinen)
| Open score for any number of instruments.
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| recession 1
| ( : open to all levels :)
| Open score for any number of performers
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| sechs (2010)
| (stefan thut)
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| Silence
| (Lars Tarsim)
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| some, 1-4 (2009)
| (stefan thut)
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| some points
| (Jukka-Pekka Kervinen)
| for melodica (and/or other instrument(s))
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| some reason
| (Jukka-Pekka Kervinen)
| Open score for any number of instruments.
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| so to speak
| (Jukka-Pekka Kervinen)
| Open score for any number of instruments.
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| spokes
| (Jukka-Pekka Kervinen)
| open score for any number of instruments
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| three zeroes (number 3)
| (Casey Anderson)
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| too low
| (Jukka-Pekka Kervinen)
| Open score for any number of instruments.
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| trio
| (Jonathan Jackson)
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| Twenty Conjunctions for Two or More Performers
| (Daniel Barbiero)
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| Twenty Events for N Soloists
| (Daniel Barbiero)
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| twentysix
| (Richard Kamerman)
| text-based graphic score generated with the aid of optical character recognition software
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| vier, 1-22 (2007)
| (stefan thut)
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| vier, fünf (2008)
| (stefan thut)
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| whi te sky
| (Jukka-Pekka Kervinen)
| Open score for any number of instruments.
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| white space
| (Casey Anderson)
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| Words of Nothing for piano player(s) (2010)
| (Alexis Porfiriadis)
| Verbal score (20 actions)
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| Zunge Losen English
| (Christian Kesten)
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| zwei, 1-20 (2008)
| (stefan thut)
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