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Browse scores with the # of Performers: Solo
* note: This page only shows scores that have "Solo" explicitly listed as a keyword.
To find scores or pages that have more-than-one keyword, or to browse scores whose titles or pages also contain "Solo",
try using the Search Bar at the top of this page.
| 326 Breaths
| (James Klopfleisch)
| For solo flute, this work focuses on the delicate, white-noise sounds generated by a range of breath intensities all below that needed to generate a solid pitch.
| | an inch off the ground (for sam sfirri)
| (adam overton)
|
| | Buried Alive (for Katie Clark)
| (adam overton)
| for solo pianist
| | counterpoint piece
| (adam overton)
|
| Counting Piece
or
When was the last time you heard on the news how many Iraqi's have died since the war began?
or
100,000 fingers is a poor substitute
| (adam overton)
| eight years of evil and a dumb populace = lots of dead people far away
| | Crete Song (2010)
| (Alexis Porfiriadis)
| Verbal Score
| | drum solos
| (adam overton)
| titles, or themes, for solo improvisations by the beginner, intermediate, or advanced drumset player
| | Facebook UDP Announcement Garbled Piece
| (adam overton)
| for the launch of this website, i tried to post an event to facebook, and out came this fabulous garbled mess...
| | Habitual Astronomy
| (James Klopfleisch)
| For solo tuba, spanning between 3 and 7 days.
| | Inner Voice
| (adam overton)
| perform one of the inner voices of any orchestral work as a solo
| | In To / Out Of (For Francesco Gagliardi)
| (adam overton)
| up to and into that moment where your audience, and/or your situation, disappears...
| | Invisible & Subtle Performances for the Walker (Machine Project)
| (adam overton)
| a pamphlet of invisible & subtle performances for visitors of the Walker Art Center during Machine Project's 2-week Summer Jubilee, 2011
| | LACMA Performances Pamphlet (Machine Project)
| (adam overton)
| pamphlet of performances for A Machine Project Field Guide to LACMA, 15 Nov 2008
| | Listening Performances
| (adam overton)
| The following are listening options that can be offered to spectators before any musical or sonic occasion, and can be used especially during any performance that one might not be enjoying for whatever reason(s).
| | overzealous photographer piece
| (adam overton)
|
| | pinecone piece 4 (of Stuart Sherman)
| (adam overton)
| for Audra Wolowiec
part of a series of pinecone pieces
| | piss piece
| (adam overton)
| for solo performer, possibly with assistants
| | posture series (of aaron spafford)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of april guthrie)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of asher hartman)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of ben davis)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of brooke taylor smiley)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of carol mcdowell)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of carol mcdowell (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of casey anderson)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of cassia streb)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of cassia streb (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of catherine lamb)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of christa graf)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of christine tavolacci)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of corey marc fogel)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of corey marc fogel (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of daniel clay)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of david kendall)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of devin mcnulty)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of dorit cypis)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of dorit cypis (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of eric km clark)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of gary flom)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of gerhard schultz)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of hana van der kolk)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of haruko tanaka)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of jessica catron)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of johnny chang)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of katie clark)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of lailye weidman)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of lara bank)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of laura steenberge)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of lewis keller)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of madison brookshire)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of mari garrett)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of mark allen)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of mark g. so)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of mark so (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of michael parker)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of michael pisaro)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of michele yu)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of mike winter)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of nat slaughter)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of orin hildestad)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of rachel manderfeld)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of raven chacon)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of robert cheatham)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of ryan o'toole)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of tanya rubbak)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of tashi wada)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | ruin your career piece
| (adam overton)
|
| | solo for violinist or violist
| (adam overton)
|
| | three [day]dreams (for orin hildestad)
| (adam overton)
|
| | You are already dancing, Blake Beckham
| (adam overton)
| four movements (solo, duet, solo / duo / or trio, ...) for...
| yours... would/does/can... (he was doin it mega-caszh[ual])
(for Corey Marc Fogel)
| (adam overton)
|
|
displaying 1-71 of 71
SIMILAR KEYWORD RESULTS
in Keywords - Solo:
| 4:BG04/10PVD'09
| (Richard Kamerman)
| a private work for a public space
| | Absent, Removed
| (Nick Hennies)
| Each note on the piano is played once; the duration of each pitch is determined by the length of decay
| | Ave Maria: Variations on a Theme by Giacinto Scelsi
| (Ian Power)
| A series of piano variations on Scelsi's modal Ave Maria from his Three Latin Prayers
| | Construction Song for piano (after Dick Higgins)
| (Ian Power)
| A solo piano piece wherein each note struck is allowed to decay completely. Actual duration varies with the size of the piano.
| | eine/r, 1-6 (2007)
| (stefan thut)
|
| | I, II, III, IV
| (Ian Power)
| A 30-minute vibraphone piece in four movements.
| | Inner Voice
| (adam overton)
| perform one of the inner voices of any orchestral work as a solo
| | Romantic Music: Solo For Orchestra Nos. 1 & 2
| (adam overton)
| to tears, to climax...
| | Solo And Duet For Dominique
| (adam overton)
|
| | Solo For Guitar
| (adam overton)
| breathing, blinking, pulsing, for solo guitar
| | untitled (1918-2000)
| (Nick Hennies)
| In memoriam Herbert Brün. Changes in resonance are caused by human consistency.
| | Water dripping from a leaking pipe behind drywall
| (Ian Power)
| Solo water dripping piece for any instrument, but especially bongo.
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