| 30 Seconds [Or Longer]: For Jessica And Johnny
| (adam overton)
| "microscore" (or longer) for two instrumentalists in close proximity
|
| 5 instructions to move A
| (Carly Short)
|
|
| a concert series that only occurs when ...
| (adam overton)
| ... during a brief but regularly scheduled absence
|
| a DJ that sings like elvin does
| (adam overton)
| for Benjamin Strong Davis
|
| a hundred times
| (adam overton)
| flipping coins ...
|
| all audio
| (kathy mctavish)
| all available cello sound samples / soundscapes
|
| almost to death
| (adam overton)
| rehearse something almost "to death"...
|
| And / Or - 4 Pieces for James Orsher
| (adam overton)
| four pieces, for James Orsher
|
| anotherjohnwhitediscounttakeoff
| (Stephen Chase)
| ukelelevent #1
|
| a pamphlet of subtle performances (Hammer Museum)
| (adam overton)
| a pamphlet of subtle performances, composed for the attendees of the UCLA Art Party at the Hammer, 2/16/2011, as part of the subtle bodies series
|
| a piece in the style of ... (minus)
| (adam overton)
| ... john cale ... minus john cale
|
| Art As Excuse: [ not ] just because we're horny: spin-the-bottle [ & variations]
| (adam overton)
| multiple intimate variations of spin-the-bottle, for 2 or more participants
|
| Art As Excuse: Untitled Private Encounter
| (adam overton)
| art as excuse: would you care to meet up at some point for an "untitled private encounter"?
|
| Aura[l] Studies
| (adam overton)
|
|
| Automorphic Piece for Standing
| (Adam James Davis)
|
|
| A Way of Advancing Sixes and Sevens
| (Madison Brookshire)
|
|
| "Back into the mixing desk..."
| (Adam James Davis)
| The circulation of signals through the signal paths of a recording studio is the music.
|
| banjolely
| (Stephen Chase)
| ukelelevent #6
|
| Bath Piece for Mark So
| (adam overton)
| for solo performer, in bathtub
|
| Best Friends Forever for Brooke Smiley
| (adam overton)
| ... fearing neither spit nor drool / best friends forever ...
|
| Birdshot
| (MARTIN BACK)
|
|
| bits & pieces, no. 01: a constant noise
| (adam overton)
|
|
| bits & pieces, no. 02: 23 Gestures
| (adam overton)
|
|
| bits & pieces, no. 03: all the way to the ground
| (adam overton)
|
|
| bits & pieces, no. 04: two sounds
| (adam overton)
|
|
| bits & pieces, no. 05: you see others carrying objects
| (adam overton)
| for chorus and/or found instruments
|
| bits & pieces, no. 06: Four Hand Piano
| (adam overton)
|
|
| bits & pieces, no. 07: emotional and spiritual memory is being created
| (adam overton)
|
|
| björk in the background
| (adam overton)
| björk's music in the background
|
| Bleeding composer performance
| (adam overton)
|
|
| body.to.binary
| (adam overton)
|
|
| Book Faire Performances Pamphlet (Machine Project)
| (adam overton)
| more invisible performances...
|
| breakfast, lunch, or dinner
| (adam overton)
| during any performance...
|
| breaking thru meditation
| (experimental meditation database)
|
|
| Break-in piece
| (adam overton)
|
|
| Breathing, Beating, Blinking for Large Ensemble
| (adam overton)
| a text score for chamber ensemble that instructs the musicians to observe their own heartbeat, blinks and breath, or those of their neighbor
|
Breathing.Beating.Blinking for Quartet or Quintet
or The Shape of Jazz to Come
| (adam overton)
| In 3 movements for Saxophone and/or Trumpet / Piano / ContraBass / Drums
|
| Brucie's Double
| (Stephen Chase)
| ukelelevent #9
|
| Buried Alive (for Katie Clark)
| (adam overton)
| for solo pianist
|
| can't environment
| (adam overton)
|
|
cancel at the last minute piece
or
process over product piece
| (adam overton)
|
|
| Chew Spit Scratch
| (adam overton)
| 3 movements, in order, for Christian Kesten
|
| chili in between performances
| (adam overton)
| thanks john
after Alison Knowles
|
| clippings . 03 Sept 2008
| (adam overton)
| toenails, graphic score for any instrument(s) or action(s)
|
| clippings . 11 Feb 2009
| (adam overton)
| fingernails & toenails, graphic score for any instrument(s) or action(s)
|
| clippings . 14 Oct 2008
| (adam overton)
| fingernails & toenails, graphic score for any instrument(s) or action(s)
|
| clippings . 15 Dec 2008
| (adam overton)
| fingernails & toenails, graphic score for any instrument(s) or action(s)
|
| clippings . 15 Sept 2008
| (adam overton)
| fingernails, graphic score for any instrument(s) or action(s)
|
| clippings . 20 Nov 2008
| (adam overton)
| fingernails, graphic score for any instrument(s) or action(s)
|
| clippings . 28 Oct 2008
| (adam overton)
| fingernails, graphic score for any instrument(s) or action(s)
|
| clippings . 2 March 2009
| (adam overton)
| fingernails, graphic score for any instrument(s) or action(s)
|
| clippings . 30 Sept 2008
| (adam overton)
| fingernails, graphic score for any instrument(s) or action(s)
|
| clippings . 5 April 2009
| (adam overton)
| fingernails & toenails, graphic score for any instrument(s) or action(s)
|
| clippings . early Jan 2009
| (adam overton)
| fingernails, graphic score for any instrument(s) or action(s)
|
| COMPOSED IMPROVISATION ESP
| (Ellen C Covito)
| A musical exploration of quasi-ESP exercises (after V.A.)
|
| COMPOSED IMPROVISATION G
| (Ellen C Covito)
| Stick all the pages of the score together with glue or any other adhesive before the concert
|
| COMPOSED IMPROVISATION J
| (Ellen C Covito)
| An exploration into the primordial contact between the score as text and performer as viewer/reader
|
| conspiracy piece
| (adam overton)
|
|
| Contact Studies
| (adam overton)
| for performers with amplified contact microphones, rubbing, scraping, scrubbing, wiping along one another's bare surfaces
|
| counterpoint piece
| (adam overton)
|
|
| date of expiration performance
| (adam overton)
|
|
| Desert Performances (Pamphlet)
| (adam overton)
| a pamphlet of 30 small pieces to perform [or not] in the desert
|
| Difficult Music For Everybody
| (adam overton)
| 4 pieces of difficult music for "everybody", with accompanying essay-miniature
|
| Doing by Undoing #4
| (Arianne Hoffmann)
| This score is gives you instructions for a solo for two, a mover and a scribe. The mover must have a thoroughly analyzed movement phrase ready to offer to the audience to begin the piece. Be anywhere in space, pick any movement you would like to include. Consider it a conversation starter. GO.
|
| Dream House Concert(s)
| (adam overton)
|
|
| driving toward visualization
| (experimental meditation database)
|
|
| drum solos
| (adam overton)
| titles, or themes, for solo improvisations by the beginner, intermediate, or advanced drumset player
|
| during any performance or "reperformance"
| (adam overton)
| for spectator
|
| during any piece of mike winter's (light jazz waltz)
| (adam overton)
| for Michael Winter
|
| Echo Contest
| (Raven Chacon)
|
|
| Either And Or
| (adam overton)
|
|
| ELELEKUSHUN
| (Stephen Chase)
|
|
| escalator music
| (Eliot Eidelman)
|
|
| Experimental music theme-park piece
| (adam overton)
| in any Seth Weiner architectural model...
|
| Eyes glazed over performance
| (adam overton)
|
|
| Facebook UDP Announcement Garbled Piece
| (adam overton)
| for the launch of this website, i tried to post an event to facebook, and out came this fabulous garbled mess...
|
| fade out event
| (adam overton)
|
|
| Farewell Rituals
| (adam overton)
| four farewell rituals...
|
| Feet. Can't. Fail.
| (Stephen Chase)
| any number of performers, sustained sounds
|
| for any acoustic instrument
| (adam overton)
| playing amplified acoustic instruments with teardrops, for ensemble (or solo)
|
| for any stolen instrument
| (adam overton)
| for Nathan Brown
|
| For A Year [Or Longer] [Or Shorter]
| (adam overton)
| Three pieces (for Patrick Vaillancourt)
|
| For camera and performers
| (adam overton)
| for James Klopfleisch & Dicky Bahto
|
| For Dick Higgins
| (adam overton)
| speak for yourself...
|
for electric bassist(s)
&
for rock ensemble
| (adam overton)
| rubbing instruments on exposed flesh, too loud
|
| For Everybody In Attendance
| (adam overton)
|
|
| for five
| (Dominic Lash)
|
|
| for g org s p r c, uk l l v nt #4
| (Stephen Chase)
| ukelelevent #4
|
| For Kinah Boto
| (adam overton)
| make it swing...
|
| for mari garrett
| (adam overton)
|
|
| For Performer And Hidden Object
| (adam overton)
| hide a mildly uncomfortable object of your choice, somewhere where it will be hard to forget its presence...
|
| For Piano(s) and Performers
| (adam overton)
| One or more pianos, each with 2 to 4 performers sitting comfortably side-by-side
|
| for redheads
| (adam overton)
|
|
| For Woodwinds (Tonglen Variations)
| (adam overton)
| taking in and giving out, for woodwinds (or any wind instruments, really)...
|
| Fountain (for Cat Lamb)
| (adam overton)
| ... a water fountain, or light dripping, throughout any Cat Lamb piece
|
| fragment 081709
| (Jukka-Pekka Kervinen)
| Open score for any number of instrument(s).
|
From Here To You:
Adverbs for Yoko Ono's Touch Piece
or
I'm [not] touching you, I'm [not] touching you, I'm [not] touching you, ...
| (adam overton)
| Adverbs for Yoko Ono's Touch Piece
|
| Galileo 3a
| (Stephen Chase)
|
|
| Galileo 3b
| (Stephen Chase)
|
|
| general explanation piece
| (adam overton)
| explain a score to the performer...
|
| general impression piece
| (adam overton)
| ... formulate a process or a manner in order to, in a sense, re-perform another work based on your general impression of it ...
|
| get just a little bit closer piece
| (adam overton)
|
|
| hickies meditation
| (experimental meditation database)
|
|
| Hierogamy Disruptor Ritual
| (AAS)
| Ritual to be performed in the lead-up to a royal wedding
|
| hoot piece (shellac)
| (adam overton)
|
|
| hot topics for hot pockets
| (adam overton)
|
|
| How can we make this piece "ours"? Performance
| (adam overton)
| for ensemble
|
| [I'd like to] Thank You [All] For Being Here
| (adam overton)
| testing each spectator's presence (just to be sure), and then thanking them for being here
|
| I'm glad ur happy Piece
| (adam overton)
|
|
| i am sediment
| (adam overton)
| a group of people form a pile atop another, one at a time...
|
| IMPROVISED COMPOSITION F+M
| (Ellen C Covito)
| Two radical attempts to deal with the problematic dichotomy between improvisation and composition
|
| Indeterminacy Piece
| (adam overton)
|
|
| Ineluctable
| (Stephen Chase)
|
|
| Inner Voice
| (adam overton)
| perform one of the inner voices of any orchestral work as a solo
|
in place of experimental cactus
or
for any experimental beard(s)
| (adam overton)
| in any experimental work involving amplified cactus...
|
| instead piece
| (adam overton)
|
|
| Instructions for an Ideology - Transhumanism
| (Adam James Davis)
|
|
| Interruption Pieces
| (adam overton)
| Create a performance that would neither suffer nor benefit from one or more or all of the following [or other] unexpected "interruptions"...
|
| In To / Out Of (For Francesco Gagliardi)
| (adam overton)
| up to and into that moment where your audience, and/or your situation, disappears...
|
| Introductions For Orchestra Or Large Ensemble
| (adam overton)
| "Hello, my name is ___"
|
| Invisible Museum Performance
| (adam overton)
| in a museum, secretly imagining the gallery attendants ...
|
| Invisible Performances Pamphlet (Machine Project)
| (adam overton)
| 30 invisible performances ...
|
| Invisible & Subtle Performances for the Walker (Machine Project)
| (adam overton)
| a pamphlet of invisible & subtle performances for visitors of the Walker Art Center during Machine Project's 2-week Summer Jubilee, 2011
|
| Is And Was And Evermore
| (adam overton)
| Press your ear to someone's heart / mind / breath, and ...
|
| It Is Too Late Now Your Life Is No Longer Beautiful
| (Richard Kamerman)
|
|
| Jubilee Dérives Pamphlet
| ( : open to all levels :)
| a menu of dérives...
|
| Kissing Dyads
| (adam overton)
| for those in attendance
|
| LACMA Performances Pamphlet (Machine Project)
| (adam overton)
| pamphlet of performances for A Machine Project Field Guide to LACMA, 15 Nov 2008
|
| lap (casey anderson's)
| (adam overton)
| for dicky bahto
|
| Laundromat Music
| (adam overton)
| for Steve Reich
|
| Leaving the Continent
| (Jeremy J Quinn)
| A performance for taking your leave of whichever continent you are on.
|
| Listening Performances
| (adam overton)
| The following are listening options that can be offered to spectators before any musical or sonic occasion, and can be used especially during any performance that one might not be enjoying for whatever reason(s).
|
| Lives (2)
| (Nick Hennies)
| Various percussion instruments play single pitches, durations determined by decay
|
| Maker Faire Performances Pamphlet (Machine Project)
| (adam overton)
| more invisible performances...
|
| MATERIAL ACTION IMPROVISATION
| (adam overton)
| material[s], action[s], improvisation[s] ... whatever, however, now ... with and/or without intention
|
| MAYBE FESTIVAL
| (adam overton)
| for john burtle
|
| Microtonal piece, August 2011
| (David Papapostolou)
|
|
| Mockingbird
| (MARTIN BACK)
| text score
|
| Modular System For One-To-Six Musicians
| (Richard Kamerman)
|
|
| moving proportions
| (Arianne Hoffmann)
|
|
| mumble piece
| (adam overton)
|
|
| Napping Music
| (adam overton)
|
|
| [Never Ever] [Never] Again [And Again]
| (adam overton)
|
|
| Oat Roe
| (Dominic Lash)
|
|
| oh, that's so neat! piece
| (adam overton)
| for Samantha Cohen and Stephen van Dyck
|
| One/1
| (Peter Bo Rappmund)
| Byzantine chant atomized and recompiled into instructions for visual edits and cues. Files below: original score with notes; graphic score interpretation for film.
|
| One Movement For Percussion
| (adam overton)
|
|
| On the shoulders of giants
| (adam overton)
|
|
| out of thin air
| (adam overton)
| concealing coins in your hands using magic techniques while performing other pieces...
|
| overzealous photographer piece
| (adam overton)
|
|
| pageturner performance
| (adam overton)
|
|
| Pan Piece for John Burtle
| (adam overton)
| a piece for John Burtle on his 25th birthday...
|
| Pantomime Grasshopper
| (Cristyn Magnus)
|
|
| paper airplane(s)
| (adam overton)
|
|
| paraphrase piece
| (adam overton)
| paraphrasing another piece...
|
| parking attendant booth performances
| (adam overton)
| ... in the booth with the regularly scheduled parking attendant ...
|
| pause piece (for doug barrett, after beuger)
| (adam overton)
|
|
| Peeling Piece
| (adam overton)
| for several, in a warm to hot and/or otherwise stuffy [but quiet] environ, peeling instruments off our skin...
|
| People in Glass Houses
| (Stephen Chase)
| rocks, stones, containers, sustained sounds
|
| percentage piece
| (adam overton)
| perform a percentage of any piece ...
|
| Perception piece Dec 2010
| (David Papapostolou)
|
|
| performance art for andre vida's special series in berlin
| (adam overton)
|
|
| piece for performer and television
| (adam overton)
|
|
| pinecone piece 10 (little fucking glitter cones)
| (adam overton)
| for Samantha Cohen and Stephen van Dyck
part of a series of pinecone pieces
|
| pinecone piece 1 (for John Lely)
| (adam overton)
| for John Lely
part of a series of pinecone pieces
|
| pinecone piece 2 (for Carly and Suneeta)
| (adam overton)
| for Carly and Suneeta
part of a series of pinecone pieces
|
| pinecone piece 3 (2 pinecones / matches)
| (adam overton)
| for Mark So
part of a series of pinecone pieces
|
| pinecone piece 4 (of Stuart Sherman)
| (adam overton)
| for Audra Wolowiec
part of a series of pinecone pieces
|
| pinecone piece 5 (lush life, protective)
| (adam overton)
| for Corey Fogel
part of a series of pinecone pieces
|
| pinecone piece 6 (mystical(?) pinecones)
| (adam overton)
| for Samantha Mitchell
after Claire Cronin
part of a series of pinecone pieces
|
| pinecone piece 9 (giant fucking glitter cone)
| (adam overton)
| for Kate Durbin
part of a series of pinecone pieces
|
| piss piece
| (adam overton)
| for solo performer, possibly with assistants
|
| Poke Piece
| (adam overton)
|
|
| polyrhythms (construction)
| (adam overton)
| polyrhythms with/against nearby construction rhythms ...
|
| Ponytail, for performer or performance
| (adam overton)
| during any performance: ponytail
|
Popp Song Performance for Nancy
and
Nancy Popp, the Drinking Game
| (adam overton)
| two devotional pieces dedicated to the fabulous Nancy Popp, handed out as notecards and demonstrated to those in attendance
|
Positions [Of Potential And Respite] For Musician
or
It's up to you to save the world, Eric km Clark
| (adam overton)
|
|
| Post-jazz video piece
| (adam overton)
|
|
| posture series (of aaron spafford)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of april guthrie)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of asher hartman)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of ben davis)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of brooke taylor smiley)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of carol mcdowell)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of carol mcdowell (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of casey anderson)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of cassia streb)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of cassia streb (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of catherine lamb)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of christa graf)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of christine tavolacci)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of corey marc fogel)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of corey marc fogel (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of daniel clay)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of david kendall)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of devin mcnulty)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of dorit cypis)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of dorit cypis (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of eric km clark)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of gary flom)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of gerhard schultz)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of hana van der kolk)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of haruko tanaka)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of jessica catron)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of johnny chang)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of katie clark)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of lailye weidman)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of lara bank)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of laura steenberge)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of lewis keller)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of madison brookshire)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of mari garrett)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of mark allen)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of mark g. so)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of mark so (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of michael parker)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of michael pisaro)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of michele yu)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of mike winter)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of nat slaughter)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of orin hildestad)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of rachel manderfeld)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of raven chacon)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of robert cheatham)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of ryan o'toole)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of tanya rubbak)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of tashi wada)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| Proportions Score
| (Arianne Hoffmann)
| one of the scores from the Bricklayers With A Sense Of Humor project
|
| Prose Anthology 1983-88
| (Daniel James Wolf)
| Including: DISTINCTIONS for small ensemble / CONNECTION (After William Billings) for ensemble / SCHOOL OF LEVITATION for any bowed instrument / ELECTRONIC PIECES: 1. All the wrong places, 2. Funhouse, or She Came Back, 3. One Last Wave / LARGE ENSEMBLE / BACKYARD CONSPIRACIES / SERENADE / SATISFACTORY RENOVATIONS OF FAMILAR CONTENTS / SARDINES
|
| Proximity Dance
| ( : open to all levels :)
| An invisible performance for one person in a populated indoor space.
|
| psychodrama for Andre [gatorade]
| (adam overton)
| for Andre Vida
|
| psychodrama for Andre [gnutella]
| (adam overton)
| for Andre Vida
|
| public bathroom piece
| (adam overton)
|
|
| Recipe For A Google Party
| (adam overton)
| A Google™ Party is a costume party where the attendees dress up like people that they've located while Googling™ their own name.
|
| Record Layers
| (Madison Brookshire)
|
|
Rehearsal Piece (No End In Sight)
or
Almost Forever
| (adam overton)
| ... as endlessly as possible [forever?] ... for Christian Kesten
|
| reich (abbreviated)
| (adam overton)
| play or perform only part of any Steve Reich piece
|
| re-purpose piece (for john burtle)
| (adam overton)
|
|
| Romantic Music: Solo For Orchestra Nos. 1 & 2
| (adam overton)
| to tears, to climax...
|
| ruin your career piece
| (adam overton)
|
|
| School of Piano Levitation
| (Daniel James Wolf)
| Dr. Wolf's Complete & Correct SCHOOL of PIANO LEVITATION. Three etudes for solo piano.
|
| Scissors Paper Stone
| (Stephen Chase)
|
|
| silent protest (dirty pants)
| (adam overton)
|
|
| Six Textures for Rock Quartet
| (Adam Scott Neal)
| indeterminate and mellow piece for keyboard, elec. guitar, bass guitar, and drum set
|
| Slow Eyeball Turns Dance
| ( : open to all levels :)
| An invisible performance by one or more people in an indoor or outdoor space.
|
| Solo And Duet For Dominique
| (adam overton)
|
|
| solo for contrabass and/or voice
| (adam overton)
|
|
| Solo For Guitar
| (adam overton)
| breathing, blinking, pulsing, for solo guitar
|
| solo for violinist or violist
| (adam overton)
|
|
| solo for violinist, violist, cellist or contrabassist
| (adam overton)
| a solo, performed alone or with other soloists, up to and including their limits...
|
| Staring Piece
| (adam overton)
| burning holes/wholes while staring...
|
| Still
| (Scott Cazan)
| A work of variable length for 2 or more string instruments. Originally written for Andrew McIntosh and Andrew Tholl. Commissioned by Machine Project as part of the coatroom concert series at The Hammer Museum.
|
| String piece, August 2011
| (David Papapostolou)
|
|
| summer pond, placid morning
| (adam overton)
|
|
| take things literally
| (Megan May Daalder)
| for a test of reason
|
| Talk about the Jets game really loud Piece
| (adam overton)
| talk about the Jets game really loud...
|
| that
| (Francesco Gagliardi)
|
|
| the bottomless spectator (after Adam)
| (john)
|
|
| The Conversation (talk-to-Tim version)
| (Tim Devin)
| “The Conversation” is an interactive performance piece for two (or more) people. It can be performed in public (either as an announced performance, or guerrilla-style). Or it can be performed at home, or over the phone, when no one else is watching. “The Conversation” has two variations: the “talk-amongst-yourselves” version, and the “talk-to-Tim” version.
|
| The Conversation (the talk-amongst-yourselves version)
| (Tim Devin)
| “The Conversation” is an interactive performance piece for two (or more) people. It can be performed in public (either as an announced performance, or guerrilla-style). Or it can be performed at home, or over the phone, when no one else is watching. “The Conversation” has two variations: the “talk-amongst-yourselves” version, and the “talk-to-Tim” version.
|
| The Everyday Exchange (the anywhere do-it-yourself version)
| (Tim Devin)
| “The Everyday Exchange” is a performance piece for two people. It has two variations: the “Boston-area interact-with-Tim” version, and the “anywhere do-it-yourself” version.
|
| The Everyday Exchange (the Boston-area interact-with-Tim version)
| (Tim Devin)
| “The Everyday Exchange” is a performance piece for two people. It has two variations: the “Boston-area interact-with-Tim” version, and the “anywhere do-it-yourself” version.
|
| The Long March
| (Daniel James Wolf)
| Instructions for preparing a score for four off-the-shelf melodicas, in the four corners of the performance space.
|
| the subway knows / the subway nose
| (adam overton)
| for john burtle
|
| The Topless Spectator
| (adam overton)
| shirtless / topless
|
| Three/1,2
| (Peter Bo Rappmund)
| Multiple sound to sight scores with a focus on isorhythms and the Fibonacci sequence. Files below: notes and preliminary experiments for the score; Fibonacci sequencing in Final Cut timeline for Three/1 & Three/2.
|
| three by three
| (Dominic Lash)
|
|
| three [day]dreams (for orin hildestad)
| (adam overton)
|
|
| Three Pieces For Now And Never
| (adam overton)
|
|
| time-lapse performance
| (adam overton)
|
|
| Together but apart piece
| (adam overton)
| ... coexisting with the work at hand in a gentle but separate / unrelated / independent way
|
| Touch Music Pieces
| (adam overton)
| 3 touch pieces for ensemble
|
| tu as navré
| (Martin Iddon)
|
|
| Two/1,2,3,4
| (Peter Bo Rappmund)
| Léonin's Magnus Liber Organi atomized and reconstructed as a set of instructions for film edits and cues. Series of 4 films based on a graphic score as derived from the source material. Files below: comparison between original and new score; comparison between new score and Final Cut timeline; two timelines with different interpretations of the graphic score; full graphic reinterpretation of aforementioned score.
|
| Two Locations Dance
| ( : open to all levels :)
| A dance for to be performed by one or more people in a populated, indoor space.
|
| UKALULI
| (Stephen Chase)
| ukelelevent #2
|
| Ukelelevent #3 for Alison Knowles
| (Stephen Chase)
| ukelelevent #3
|
| Ukulalien
| (Stephen Chase)
| ukelelevent #7
|
| Up To And Including Her Limits
| (adam overton)
|
|
| vacationland piece
| (adam overton)
| for your next vacation or trip...
|
| Variation on a theme by John Lely
| (Stephen Chase)
| any number of performers with headphones, tapes/mp3s, and instruments
|
| Variations On Alison Knowles' Piece For Any Number Of Vocalists
| (adam overton)
| remembering the music you heard when...
|
| Visualization
| (adam overton)
| duo - trust your vision...
|
| Vs. Computer
| (Cristyn Magnus)
| a game piece for percussion and interactive electronics
|
| wedding (ninja)
| (adam overton)
| for jonathan cornelius burtle (on his wedding day (or his wedding date))
|
| Wet Glasses
| (Stephen Chase)
|
|
| What Do We Do Now? Performance
| (adam overton)
| "So, what do we do now?"
|
| Whisper Performance
| (adam overton)
|
|
| WOW (john burtle) (for john burtle)
| (adam overton)
|
|
| Yelling Pieces I
| (adam overton)
| "for as long and as loud as one desires"
|
| Yelling Pieces II
| (adam overton)
| "for as long and as loud as one desires"
|
| You are already dancing, Blake Beckham
| (adam overton)
| four movements (solo, duet, solo / duo / or trio, ...) for...
|
yours... would/does/can... (he was doin it mega-caszh[ual])
(for Corey Marc Fogel)
| (adam overton)
|
|
