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Browse Scores by Title: (A-to-Z | Z-to-A | random | recent | by year) [ show all | hide descriptions ]
Current # of Scores: 1876
* NOTE: this is not a complete list of titles. only title-pages that have
declared their year-of-creation will appear here
|
| 69
|
| | happy to see you
| (Maria Savorgnan)
| bouquet, flowers, love, sex erection, pants, fly
| | never ending
| (Maria Savorgnan)
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| | reperfromance
| (Maria Savorgnan)
|
| | "untitled" after Andrea
| (Maria Savorgnan)
|
| |
| |
| 2012
|
| | 12 amplified aggrandizements
| (MARTIN BACK)
|
| | 4 Abrasions
| (MARTIN BACK)
|
| | (54) Composer/Conductor Lockout !!
| (Mikal Czech)
|
| | (55) Weingarten Rehearsals
| (Mikal Czech)
| for the instrumentalist-workers of Cologne and New York, 1958
(more info)
| | 6 Boilings
| (MARTIN BACK)
|
| | 7 Eatings
| (MARTIN BACK)
|
| | after two three
| (Rasmus Borg)
|
| | ALEX NORTH
| (Mark So)
|
| | alone piece (restaurant)
| (adam overton)
| for a single man or woman
| | ANASTASSIS PHILIPPAKOPOULOS
| (Mark So)
|
| | and Feel
| (Joseph Cook)
| The initial realisation of this happened to the composer at the end of a long day. Having walked home, he paused a while before unlocking his front door.
| | a whole new you
| (Catner Doolicquie)
| (or at least a little bit of another you)
| | Binary Translation
| (Daniel Barbiero)
|
| | Boundary Conditions
| (Daniel Barbiero)
|
| | bulging broomsticks
| (W,Vampire, Inc.)
|
| | CAROLYN CHEN
| (Mark So)
|
| | Chant: oops meditation
| (experimental meditation database)
| dedicated to Claire Cronin and the Church of Despair
| | CHRISTOPH GIRARD
| (Mark So)
|
| | COMMA-FEST
| (it will tit will will you will the)
| for Claire Cronin, and for (though slightly against) Mathew Timmons
| | COMPOSED IMPROVISATION ESP
| (Ellen C Covito)
| A musical exploration of quasi-ESP exercises (after V.A.)
| | COMPOSED IMPROVISATION R
| (Ellen C Covito)
| all the rehearsals are transcribed on a transparent sheet of paper, which then become superimposed for the actual performance
| | Distortion
| (john)
|
| | "Don't forget..."
| (Hedonaut)
|
| | Eight Impossible And Or Unlikely Scores
| (Jacob Feinberg)
| meta, impossible, unlikely
| | Eight Instant and Arhythmic Cures For the Over-stimulated Musician
| (Jacob Feinberg)
|
| | ERIKA VOGT
| (Mark So)
|
| | fearful fangs
| (W,Vampire, Inc.)
|
| | for two
| (Dominic Lash)
|
| | four amplifications
| (MARTIN BACK)
|
| | Galileo 3a
| (Stephen Chase)
|
| | Galileo 3b
| (Stephen Chase)
|
| | GEORGES DELERUE
| (Mark So)
|
| | get fucked
| (cupid)
|
| | Guru Rugu — Veranda Moot's Answers are not the Answer!!
| (experimental meditation database)
| Answers are not the Answer!! Guru Rugu presents a meditation by Veranda Moot.
| | hoot piece (shellac)
| (adam overton)
|
| | I'm glad ur happy Piece
| (adam overton)
|
| | Interspersions for Dancer Video Double Bass
| (Daniel Barbiero)
|
| | invitation piece (secret)
| (adam overton)
|
| | JONATHAN MARMOR
| (Mark So)
|
| | lap (casey anderson's)
| (adam overton)
| for dicky bahto
| | LUTHER PRICE
| (Mark So)
|
| | MAYBE FESTIVAL
| (adam overton)
| for john burtle
| | Metahedonics
| (Hedonaut)
| For James Evans (bio-ethical abolitionist, vegan...)
| | Metasexual
| (Hedonaut)
| For Jake Stevenson (college friend...)
| | MisterHiggsAUTOTELIC
| (Mister Higgs)
| “Sometimes you have to play a long time to be able to play like yourself” (Miles Davis)
| | mourning morning sloppy soapy purple poop monster
| (W,Vampire, Inc.)
|
| | mr idol
| (otolike)
|
| | mumble piece
| (adam overton)
|
| | music tape
| (Arata Takagi)
| This work basically deals with a matter of time in music.
| | Non_1_to_12
| (Philip Mantione)
| Non 1-12 is a series of non works: non-musical, non-textual, non-performative, non-durational, non-material, non-instrumental, non-experimental, non-action, non-consensual, non-explained, non-fluxus, non-silence, non-sound, non-cochlear, non-noise, non-object, non-non-musical, non-non-textual, non-non-performative, non-non-durational, non-non-material, non-non-instrumental, non-non-experimental, non-non-action, non-non-consensual, non-non-explained, non-non-fluxus, non-non-silence, non-non-sound, non-non-cochlear, non-non-noise, non-non-object.
| | open house
| (john)
|
| | Ouroboros
| (MARTIN BACK)
|
| | ownership piece (for Dicky and Casey)
| (adam overton)
|
| | Pyramid Gambit
| (Daniel Barbiero)
|
| | Rayuela
| (Stephen Chase)
|
| | refusal piece
| (adam overton)
| no
| | ROALD AMUNDSEN
| (Mark So)
|
| | Room 1
| (Joseph Cook)
|
| | Room 2
| (Joseph Cook)
|
| | Semicide
| (Hedonaut)
|
| | SHANNON EBNER
| (Mark So)
|
| | steam port
| (otolike)
|
| | tobacco and mint flavored lips
| (otolike)
|
| | Twenty Conjunctions for Two or More Performers
| (Daniel Barbiero)
|
| | Twenty Events for N Soloists
| (Daniel Barbiero)
|
| | twoamplifications
| (MARTIN BACK)
|
| | velocigina
| (otolike)
|
| | VIOLA AND
| (Mark So)
|
| | white punks on hope
| (Jeremy John Ratter, Steve Williams, Bronwyn Lloyd Jones...)
|
| | Words Describing An Action
| (MARTIN BACK)
|
| | wups
| (Catner Doolicquie)
|
| | xvii
| (Mitsuteru Takeuchi)
|
| | xviii
| (Mitsuteru Takeuchi)
|
| |
| |
| 2011
|
| | ' strings ' - Emmanuel Witzthum
| (cotton goods)
| String trio was composed as a set of variations to the song “Mama Yo No Tengo Visto” which is a 16th century Jewish ladino melody. In Hebrew the song is called “calmness”. In writing the work I deconstructed the song by separating the tones of the melody and what the melody was “meant” to convey metaphorically. With the tones I created a series of horizontal and vertical alternate melodies and sets which relate to one another in fields, with the “metaphorical” meaning I attempted to express a process of calming down. The work itself is devoid of rhythm, as such it focuses not on the act of “performing” the tone but on the space between the tones, in the silence that is borne out of the tones intent or potential. In addition the tones do not have articulation or dynamic markings so as to allow the performers as much flexibility for creativity and expression as possible. Without rhythm the piece does not have a fixed duration (as demonstrated by the durations of the two performances on this release), nor do the performers have to adhere to a fixed metronome. They instead should lead and follow, they should be capable to return to an essence of chamber music which I feel is lost in our times, of creating together, of a whole created by it parts, each time different, each time unique, each time without original. Without articulation or dynamics, the tones are equal, the performers decide how to play their tones while the score offers them only a framework within which their interpretations can be expressed. It is my hope with this release that musicians will take the score which is added to the LP and create their own renditions and interpretations of the piece be they acoustic or electronic. This release is a blueprint, an invitation to share and communicate -so too is the score. Please visit http://uploaddownloadperform.net/CottonGoods/Index to download the score and upload your interpretations Emmanuel Witzthum 6.3.2011, Jerusalem
| | 100 Pieces / 1 Hour
| (ADACHI Tomomi)
| "100 Pieces / 1 Hour" is a collection of 100 scores for performances. It was composed from 14:00 to 15:00 (JST) on March 11th 2011 at Tokyo. The composing process was a kind of performance and also a private ritual itself. All scores are independent and each for a single (or multiple) performance. They are direct responses to works by George Brecht, though it is not only one name. A few pieces include Japanese words.
| | (10) committee naming committee
| (Mikal Czech)
|
| | 111111111111
| (ADACHI Tomomi)
| Time-specific composition.
| | (11) barf piece
| (Mikal Czech)
| barf
| | (12) occupy everything (dead weight)
| (Mikal Czech)
| chillaxistance
| | (13) chit chat revolution!!
| (Mikal Czech)
|
| | (14) ([con])sens[t]u(s)al revolution
| (Mikal Czech)
|
| | (15) heart-shaped lollipops, while you march or occupy
| (Mikal Czech)
|
| | (16) #occupyHashtag
| (Mikal Czech)
|
| | (17) People's Mic (John Coltrane)
| (Mikal Czech)
| for Ben Davis
| | 180°
| (Liam Mooney)
| a piece where performers play triangles with dry ice
| | (18) Hackey Sack Tournament (for the people of Oakland)
| (Mikal Czech)
|
| | (19) be coooooool man
| (Mikal Czech)
|
| | (1) Just a Minute(s) [Variations]
| (Mikal Czech)
|
| | 20111
| (Manfred Werder)
| indeterminate
| | 20112
| (Manfred Werder)
| indeterminate
| | 20113
| (Manfred Werder)
| indeterminate
| | 20114
| (Manfred Werder)
| indeterminate
| | (20) Group Decisions (systems)
| (Mikal Czech)
|
| | (21) Violin Concerto in Occupy♯ (for Jen Karmin)
| (Mikal Czech)
|
| | (22) Violin or Guitar Concerto in Occupy♭ (for Jen Karmin and Shellac)
| (Mikal Czech)
|
| | (23) Violin Concerto in Occupy minor (for Jen Karmin)
| (Mikal Czech)
|
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