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Browse Scores by Title: (A-to-Z | Z-to-A | random | recent | by year)
Current # of Scores: 2334
* NOTE: this is not a complete list of titles. only title-pages that have
declared their year-of-creation will appear here
|
| 2006
|
| | 12 TONE MUSIC
| (Mark So)
|
| | 20061
| (Manfred Werder)
| indeterminate
| | 20062
| (Manfred Werder)
| indeterminate
| | 3 SOUNDS IN 3 STONES
| (Mark So)
|
| | 4.022
| (Mark So)
|
| | a box of wind
| (Mark So)
|
| | AERIAL TRAMWAY
| (Mark So)
|
| | a last world
| (Mark So)
|
| | almost every piece
| (Michael Winter)
|
| Alone Together
or
Between You and Me
| (adam overton)
| ... involving Schwartz & Dietz's 'Alone Together', in 3 simultaneous movements, with an optional Epilogue
| | ANGIE'S EMPIRE (FT. HANCOCK, TX)
| (Mark So)
|
| | ASCENSION
| (Mark So)
|
| | as it is - mattes 2
| (Mark So)
|
| | as the star (sortes vergilianae)
| (Mark So)
|
| | atmosphere study (6)
| (Mark So)
|
| | Aura[l] Studies
| (adam overton)
|
| | BRITTEN, U.S.A.
| (Mark So)
|
| | BUCOLIC MELODY
| (Mark So)
|
| | Camel Wides (reconstruction)
| (Mark So)
|
| | Canon Machine
| (Mark So)
|
| | CITROEN D.S. 19
| (Mark So)
|
| | Contact Studies
| (adam overton)
| for performers with amplified contact microphones, rubbing, scraping, scrubbing, wiping along one another's bare surfaces
| | Conversation Pieces
| (adam overton)
| a week-long, collaborative gallery exhibition, workshop series, and pamphlet, by Elana Mann and Adam Overton
| | de la Rosa
| (Mark So)
|
| | Difficult Music For Everybody
| (adam overton)
| 4 pieces of difficult music for "everybody", with accompanying essay-miniature
| | diy for larry polansky
| (Michael Winter)
|
| | doorstep in the wind
| (Mark So)
|
| | EIFFEL TOWER EVENT
| (Mark So)
|
| | Empire of the Ants
| (Mark So)
|
| | EVIDENCE OF GOD
| (Mark So)
|
| | for cassia streb
| (Michael Winter)
|
| | for Elyssa Shalla
| (Mark So)
|
| | for Felix Salazar (reconstruction)
| (Mark So)
|
| | for michael pisaro
| (Michael Winter)
|
| | For Performer And Hidden Object
| (adam overton)
| hide a mildly uncomfortable object of your choice, somewhere where it will be hard to forget its presence...
| | for ZACKARY DRUCKER
| (Mark So)
|
| From Here To You:
Adverbs for Yoko Ono's Touch Piece
or
I'm [not] touching you, I'm [not] touching you, I'm [not] touching you, ...
| (adam overton)
| Adverbs for Yoko Ono's Touch Piece
| | Für Ihre Notizen:
| (Mark So)
|
| | GERONIMO'S SURRENDER
| (Mark So)
|
| | GOLDWATER REVOLUTION
| (Mark So)
|
| | gram (1)
| (Mark So)
|
| | gram (2)
| (Mark So)
|
| | gram (3)
| (Mark So)
|
| | grasslands
| (Mark So)
|
| | hasn't the sky
| (Mark So)
|
| | Hauptbahnoeuf.
| (Mark So)
|
| | hello. pause. two.
| (Mark So)
|
| | HOLES
| (Mark So)
|
| | HUMMINGBIRD CAKE - ALEXANDER'S EMPIRE
| (Mark So)
|
| | [I'd like to] Thank You [All] For Being Here
| (adam overton)
| testing each spectator's presence (just to be sure), and then thanking them for being here
| | i-glue
| (Mark So)
|
| | INCIDENTAL MUSIC
| (Mark So)
|
| | Inner Voice
| (adam overton)
| perform one of the inner voices of any orchestral work as a solo
| | Intersections I
| (Michael Winter)
|
| | in tone
| (Michael Winter)
|
| | Introductions For Orchestra Or Large Ensemble
| (adam overton)
| "Hello, my name is ___"
| | invisible fountain
| (Mark So)
|
| | Is And Was And Evermore
| (adam overton)
| Press your ear to someone's heart / mind / breath, and ...
| | jungle-Dortmund
| (Mark So)
|
| | Kissing Dyads
| (adam overton)
| for those in attendance
| | landscape for 6
| (Mark So)
|
| | Leak
| (john)
| Leak from any combination of orifices as seems fit.
Exp. pee, drool, cry
| | leaving 1
| (Mark So)
|
| | leaving 1(2)
| (Mark So)
|
| | leaving 2
| (Mark So)
|
| | LEAVING 3(4)
| (Mark So)
|
| | LEAVING 4
| (Mark So)
|
| | le livre est sur la table
| (Mark So)
|
| | Listening Performances
| (adam overton)
| The following are listening options that can be offered to spectators before any musical or sonic occasion, and can be used especially during any performance that one might not be enjoying for whatever reason(s).
| | little blue
| (Mark So)
|
| | LUBBOCK LULLABY
| (Mark So)
|
| | MAHLER
| (Mark So)
|
| | manly blue
| (Mark So)
|
| | mattes 3
| (Mark So)
|
| | MAZDA MIATA (reconstruction)
| (Mark So)
|
| | MG DRAGSTER
| (Mark So)
|
| | MINI COOPER (reconstruction)
| (Mark So)
|
| | Monopink
| (Mark So)
|
| | music for any film
| (Mark So)
|
| | Neoteric harmonies
| (Mark So)
|
| | new music (3)
| (Mark So)
|
| | (Nichts, das ist) / (Nothing, that is)
| (Mark So)
|
| | night sheen
| (Mark So)
|
| | nothing else to do
| (Mark So)
|
| | nothing...I
| (Michael Winter)
|
| | Of the January sun
| (Mark So)
|
| | parergon
| (Mark So)
|
| | piano lung
| (Mark So)
|
| | Prime Decomposition
| (Michael Winter)
|
| | random I
| (Michael Winter)
|
| | readings 14
| (Mark So)
|
| | readings 16
| (Mark So)
|
| | readings 6 - America
| (Mark So)
|
| | real man stone
| (Mark So)
|
| | RESTING IN INDEPENDENCE
| (Mark So)
|
| | RHEiNiSCHE SYMPHONY
| (Mark So)
|
| | RHINE PANSY
| (Mark So)
|
| | Rilke (or, Night)
| (Mark So)
|
| | rising landscape
| (Mark So)
|
| | Robbie Hansen: Quite Playin wit Cho Balls
| (experimental meditation database)
| A video of indicative objects seemingly functioning as one mind.
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