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| 2007
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| 15
| (Mark So)
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| 19sept07
| (Mark So)
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| 1 sample, x performers, y seconds
| (Michael Winter)
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| 20071
| (Manfred Werder)
| indeterminate
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| 37 haiku
| (Mark So)
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| 4 Ascents for James Tenney
| (Michael Winter)
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| 4 Finnish tangos
| (Mark So)
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| 4 james orsher
| (Michael Winter)
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| 7 days in june
| (Mark So)
| instruction page and 7 double-sided index cards with movable post-it notes
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| a chance happening
| (Michael Winter)
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| a darkness of one's own
| (Mark So)
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| a dollop of afternoon wind
| (Mark So)
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| a far and fatal corridor
| (Mark So)
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| after a koan
| (Michael Winter)
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| A great gesture building
| (Mark So)
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| a kind of sleep
| (Mark So)
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| all the same color again
| (Mark So)
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| all we can do (haystacks)
| (Mark So)
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| always one stream is pointing north
| (Mark So)
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| ambrosia in the alley
| (Mark So)
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| a mirage
| (Mark So)
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| among the pretty lunging of the wind
| (Mark So)
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| And the grove is blind, blossoming
| (Mark So)
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| an ongoing thing (dream of Mania)
| (Mark So)
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| another chain letter
| (Mark So)
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| anotherjohnwhitediscounttakeoff
| (Stephen Chase)
| ukelelevent #1
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| a piece of traffic
| (Mark So)
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| a present that is elsewhere
| (Mark So)
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| Art As Excuse: [ not ] just because we're horny: spin-the-bottle [ & variations]
| (adam overton)
| multiple intimate variations of spin-the-bottle, for 2 or more participants
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| Art As Excuse: Untitled Private Encounter
| (adam overton)
| art as excuse: would you care to meet up at some point for an "untitled private encounter"?
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| a tepid atmosphere (bedroom near the sky)
| (Mark So)
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| at north farm
| (Mark So)
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| a wave
| (Mark So)
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| a weighted sleep experiment
| (experimental meditation database)
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| B
| (Mark So)
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| Basinski’s Zipper
| (Ric Royer)
| Performers make ZZZZZZZZZZZ sound. Each performer steps forward and quietly says: “Down by the river Where no one knows There lays Mary without any clothes” After the final performer, ensemble sings: “Mary with the hairy heart”
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| Bath Piece for Mark So
| (adam overton)
| for solo performer, in bathtub
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| before the dark (a love poem)
| (Mark So)
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| Best Friends Forever for Brooke Smiley
| (adam overton)
| ... fearing neither spit nor drool / best friends forever ...
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| BILLY
| (Mark So)
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| Book Faire Performances Pamphlet (Machine Project)
| (adam overton)
| more invisible performances...
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| cabaret
| (Mark So)
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| cactus
| (Michael Winter)
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| ceramic day
| (Mark So)
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| Chew Spit Scratch
| (adam overton)
| 3 movements, in order, for Christian Kesten
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| CHRISTIAN WOLFF
| (Mark So)
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| COMET McNAUGHT
| (Mark So)
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| Desert Performances (Pamphlet)
| (adam overton)
| a pamphlet of 30 small pieces to perform [or not] in the desert
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| Dirty? Or...
| (Mark So)
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| distant resolution
| (Mark So)
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| distract yourself meditation
| (experimental meditation database)
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| dogs
| (Virginia Axioti)
| performance
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| Dominos Permutations
| (Mark So)
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| Echo Junction
| (Mark So)
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| El Rey (a new kind of emptiness)
| (Mark So)
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| Entropic Canon
| (Michael Winter)
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| farther into the day
| (Mark So)
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| field tone
| (Mark So)
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| fine foliage of dreams
| (Mark So)
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| five dollar bill meditation
| (experimental meditation database)
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| focus on an irritating sound meditation
| (experimental meditation database)
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| friends
| (Mark So)
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| frieze
| (Mark So)
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| from flute to shining flute
| (Mark So)
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| furniture of the air
| (Mark So)
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| GENEVIEVE
| (Mark So)
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| HAIKU
| (Mark So)
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| handsome environment
| (Mark So)
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| imagine, consistently, that you are what you want to be meditation
| (experimental meditation database)
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| impulse of morning
| (Mark So)
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| incisive shadow (mattes 4)
| (Mark So)
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| in november
| (Mark So)
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| in some other life (tapestry)
| (Mark So)
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| Interruption Pieces
| (adam overton)
| Create a performance that would neither suffer nor benefit from one or more or all of the following [or other] unexpected "interruptions"...
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Into Silence - The Poetics of Hearing in Experimental Music since Cage
[I. readings 23, II. nearing/hearing]
| (Mark So)
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| in twilight
| (Mark So)
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| Invisible Performances Pamphlet (Machine Project)
| (adam overton)
| 30 invisible performances ...
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| i seem to be a verb
| (Ian Power)
| Recitation of a Buckminster Fuller quote accompanied by coffee mug and butter knife percussion.
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| JAMES ORSHER
| (Mark So)
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| JERRY GOLDSMITH
| (Mark So)
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| JOSEPH KUDIRKA
| (Mark So)
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| just walking around
| (Mark So)
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| Kissing Mouth Harp
| (Daisuke TERAUCHI)
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| LAUNDRY-TONE
| (Mark So)
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| like a smoke
| (Mark So)
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| lying down in the frugality of sleep
| (Mark So)
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| MADISON BROOKSHIRE
| (Mark So)
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| Maker Faire Performances Pamphlet (Machine Project)
| (adam overton)
| more invisible performances...
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| many many
| (Michael Winter)
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| many wagons ago
| (Mark So)
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| mattes 5
| (Mark So)
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| maximum change
| (Michael Winter)
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| merlot bridge
| (Mark So)
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| MICHAEL
| (Mark So)
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| Napping Music
| (adam overton)
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| new leaves (a mood survives)
| (Mark So)
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| non-lieux (18 musics after Judith Jockel)
| (Mark So)
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| now time and land are identical (haunted landscape)
| (Mark So)
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| ocean floor meditation
| (experimental meditation database)
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| One/1
| (Peter Bo Rappmund)
| Byzantine chant atomized and recompiled into instructions for visual edits and cues. Files below: original score with notes; graphic score interpretation for film.
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