| 15
| (Mark So)
|
|
| 19sept07
| (Mark So)
|
|
| 1 sample, x performers, y seconds
| (Michael Winter)
|
|
| 20051
| (Manfred Werder)
| indeterminate
|
| 20081
| (Manfred Werder)
| indeterminate
|
| 20082
| (Manfred Werder)
| indeterminate
|
| 20083
| (Manfred Werder)
| indeterminate
|
| 20084
| (Manfred Werder)
| indeterminate
|
| 20091
| (Manfred Werder)
| indeterminate
|
| 20092
| (Manfred Werder)
| indeterminate
|
| 20094
| (Manfred Werder)
| indeterminate
|
| 20095
| (Manfred Werder)
| indeterminate
|
| 20 arrows 9 dashes
| (Michael Winter)
|
|
| 2 Filters
| (Michael Winter)
|
|
| 2 Virgens
| (Mark So)
|
|
| 30 Seconds [Or Longer]: For Jessica And Johnny
| (adam overton)
| "microscore" (or longer) for two instrumentalists in close proximity
|
| 33 etc
| (Madison Brookshire)
|
|
| 33 Variation
| (Madison Brookshire)
|
|
| 36-63-56
| (MARTIN BACK)
|
|
| 37 haiku
| (Mark So)
|
|
| 3x3
| (Jukka-Pekka Kervinen)
| for piano
|
| 4 022
| (Mark So)
|
|
| 4 Ascents for James Tenney
| (Michael Winter)
|
|
| 4 james orsher
| (Michael Winter)
|
|
| 5 instructions to move A
| (Carly Short)
|
|
| A_beaker_of_living_silence
| (Mark So)
|
|
| a_country
| (Mark So)
|
|
| A_Few_Noises
| (G Douglas Barrett)
|
|
| a_sunset
| (Mark So)
|
|
| a_warming_voice_where_have_they_put_those_others
| (Mark So)
|
|
| a box of wind
| (Mark So)
|
|
| Absent, Removed
| (Nick Hennies)
| Each note on the piano is played once; the duration of each pitch is determined by the length of decay
|
| a chance happening
| (Michael Winter)
|
|
| A Checklist: Christine's score for making an amazing dance
| (Anatomy Riot #33 - Scores for a Recession)
| inspired by real life experience
|
| across
| (Jukka-Pekka Kervinen)
| for piano
|
| Action For A Monday Lunchtime
| (Michael David Jones)
| On the nature of chance.
|
| Action For A Park Bench
| (Michael David Jones)
| Potential Encounters/Interactions/Conversations
|
| ADAM FONG
| (Mark So)
|
|
| ADAM OVERTON
| (Mark So)
|
|
| a darkness of ones own
| (Mark So)
|
|
| adjacent waters
| (Mark So)
|
|
| a dollop of afternoon wind
| (Mark So)
|
|
| a dry windy day in the desert
| (MARTIN BACK)
| a graphic score for 3 guitars, whose tuning system was derived from weather data for Feb. 17, 2009
|
| a far and fatal corridor
| (Mark So)
|
|
| A Few Concert Halls
| (G Douglas Barrett)
|
|
| a few feet into our future music food sex
| (Mark So)
|
|
| A Few Instruments
| (G Douglas Barrett)
|
|
| A Few Silence
| (G Douglas Barrett)
|
|
| A Few Street Pieces
| (G Douglas Barrett)
|
|
| A Few Tones
| (G Douglas Barrett)
|
|
| A Few Voices (or Polyphony I-III)
| (G Douglas Barrett)
|
|
| a field trip they skate past the window
| (Mark So)
|
|
| A Flourish
| (Michael Winter)
|
|
| after a koan
| (Michael Winter)
|
|
| after eons
| (Michael Winter)
|
|
| A Gaussian Canon
| (Michael Winter)
|
|
| AGNES MARTIN
| (Mark So)
|
|
| A great gesture building
| (Mark So)
|
|
| a hundred times
| (adam overton)
| flipping coins ...
|
| a kind of sleep
| (Mark So)
|
|
| a last look at shelving rock and tree blue beginnings
| (Mark So)
|
|
| a last world
| (Mark So)
|
|
| all audio
| (kathy mctavish)
| all available cello sound samples / soundscapes
|
| all the same color again
| (Mark So)
|
|
| all we can do haystacks
| (Mark So)
|
|
| almost completely still
| ( : open to all levels :)
|
|
| almost every piece
| (Michael Winter)
|
|
| almost to death
| (adam overton)
| rehearse something almost "to death"...
|
Alone Together
or
Between You and Me
| (adam overton)
| ... involving Schwartz & Dietz's 'Alone Together', in 3 simultaneous movements, with an optional Epilogue
|
| alphabetization meditation
| (experimental meditation database)
|
|
| Alternative Piece Belfast 2008
| (Francesco Gagliardi)
|
|
| always one stream is pointing north
| (Mark So)
|
|
| ambrosia in the alley
| (Mark So)
|
|
| a median kingdom
| (Mark So)
|
|
| A Meditation for Solo Piano
| (Michael Winter)
|
|
| amid_mounting_evidence_readings_26
| (Mark So)
|
|
| a mirage
| (Mark So)
|
|
| among the pretty lunging of the wind
| (Mark So)
|
|
| A Mousse Tongue
| (Asher Hartman)
| A Mousse Tongue Mousse your hair Mousse your hair Mousse your hair Mousse it Mousse your hair Speak And Mousse Mousse and Speak Take the addresses of your fathers, your forefathers, their fathers and stuff them in your mouth Speak and mousse your hair Mousse it Speak the addresses Mousse it good Make it stand up Get a friend A her And make her state her poems While you make your hair stiff
|
| an activity
| (Jason Brogan)
|
|
| anarchy
| (Mark So)
|
|
| And / Or - 4 Pieces for James Orsher
| (adam overton)
| four pieces, for James Orsher
|
| and the grove is blind
| (Mark So)
|
|
| and then
| (Francesco Gagliardi)
|
|
| And the sky is unforgettable
| (Mark So)
|
|
| an even larger view of the universe
| (Mark So)
|
|
| an inch off the ground (for sam sfirri)
| (adam overton)
|
|
| an ongoing thing dream of Mania
| (Mark So)
|
|
| another chain letter
| (Mark So)
|
|
| another piano piece for JULIE SIMON
| (Mark So)
|
|
| ANTOINE
| (Mark So)
|
|
| a piece of traffic
| (Mark So)
|
|
| A place to wait for not in
| (Mark So)
|
|
| A Play in Two Acts
| (kieran daly)
|
|
| Appearing
| (Madison Brookshire)
|
|
| append this
| (Jukka-Pekka Kervinen)
| Open score for any number of instruments.
|
| Approximating Omega
| (Michael Winter)
|
|
| a present that is elsewhere
| (Mark So)
|
|
| A ride in common variety
| (Mark So)
|
|
| Around This Bonfire
| (Mark So)
|
|
