| pageturner performance
| (adam overton)
|
|
| palm terrain
| (Mark So)
|
|
| Pantomime Grasshopper
| (Cristyn Magnus)
|
|
| parallel/moving
| (Catherine Lamb)
|
|
| paraphrase piece
| (adam overton)
| paraphrasing another piece...
|
| parasite piece
| (Francesco Gagliardi)
|
|
| parergon
| (Mark So)
|
|
| parking attendant booth performances
| (adam overton)
| ... in the booth with the regularly scheduled parking attendant ...
|
| part of all that happened there
| (Mark So)
|
|
| part of the moving wall
| (Mark So)
|
|
| past perfect 1
| (MARTIN BACK)
|
|
| past perfect 2
| (MARTIN BACK)
|
|
| patterns that would travel
| (Gerhard Schultz)
|
|
| PAULINE OLIVEROS
| (Mark So)
|
|
| PAUL SHORE
| (Mark So)
|
|
| Pause_again_at_the_scenery
| (Mark So)
|
|
| pedal, triangle machine, and (perhaps) coda
| (Michael Winter)
|
|
| Peeling Piece
| (adam overton)
| for several, in a warm to hot and/or otherwise stuffy [but quiet] environ, peeling instruments off our skin...
|
| penny lives
| (Mark So)
|
|
| People in Glass Houses
| (Stephen Chase)
| rocks, stones, containers, sustained sounds
|
| pep band piece
| (adam overton)
| for Pep Band instrumentation, interpreting Pep Band music, in a large gymnasium ...
|
| percentage piece
| (adam overton)
| perform a percentage of any piece ...
|
| perfect weather
| (Mark So)
|
|
| performance art for andre vida's special series in berlin
| (adam overton)
|
|
| performance as spiritual practice meditation
| (experimental meditation database)
| ... a performance-a-day keeps the doctor away ...
|
| Performance for a Naked, Visually Impaired Person with Access to the Internet
| (Adam James Davis)
|
|
| Perspectives I
| (Michael Winter)
|
|
| petals pedaling
| (Anatomy Riot #33 - Scores for a Recession)
|
|
| PETER HARRIS
| (Mark So)
|
|
| Petrichor
| (Adam Scott Neal)
| clarinet and tape piece, sounds like a lazy, rainy summer afternoon
|
| phone number action
| (adam overton)
| for airplanes (as your audience), the phone number of a friend of yours on the roof of your home
|
| piano etude
| (Sepand Shahab)
| a different approach to hearing dynamics
|
| piano machine
| (Michael Winter)
|
|
| Pianos 2007
| (Mark So)
|
|
| Piece for a Jamaican Settlement
| (freefreethinker)
|
|
| piece for performer and television
| (adam overton)
|
|
| Piece for Prose Scores
| (freefreethinker)
|
|
| pile of breathing bodies meditation
| (experimental meditation database)
|
|
| Pimm's for James Tenney
| (Johnny Chang)
|
|
| piss piece
| (adam overton)
| for solo performer, possibly with assistants
|
| Play 1
| (Kieran Daly)
|
|
| plot your departure meditation
| (experimental meditation database)
|
|
| plumes out on the ocean
| (Mark So)
|
|
| Pockets Full of Acorns
| (MARTIN BACK)
|
|
| Pokemon
| (Megan May Daalder)
| POKEMON SNAP [ HUMAN EDITION ] is an opportunity to observe, study, and document humans from the perspective of the pokemon, creating an inverse relationship between humans and these otherworldly creatures.
|
| polyrhythms (construction)
| (adam overton)
| polyrhythms with/against nearby construction rhythms ...
|
Popp Song Performance for Nancy
and
Nancy Popp, the Drinking Game
| (adam overton)
| two devotional pieces dedicated to the fabulous Nancy Popp, handed out as notecards and demonstrated to those in attendance
|
| pop song meditation
| (experimental meditation database)
|
|
Positions [Of Potential And Respite] For Musician
or
It's up to you to save the world, Eric km Clark
| (adam overton)
|
|
| posture series (of aaron spafford)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of april guthrie)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of asher hartman)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of ben davis)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of brooke taylor smiley)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of carol mcdowell)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of carol mcdowell (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of casey anderson)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of cassia streb)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of cassia streb (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of catherine lamb)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of christa graf)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of christine tavolacci)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of corey marc fogel)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of corey marc fogel (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of daniel clay)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of david kendall)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of devin mcnulty)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of dorit cypis)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of dorit cypis (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of eric km clark)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of gary flom)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of gerhard schultz)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of hana van der kolk)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of haruko tanaka)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of jessica catron)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of johnny chang)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of katie clark)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of lailye weidman)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of lara bank)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of laura steenberge)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of lewis keller)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of madison brookshire)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of mari garrett)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of mark allen)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of mark g. so)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of mark so (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of michael parker)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of michael pisaro)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of michele yu)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of mike winter)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of nat slaughter)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of orin hildestad)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of rachel manderfeld)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of raven chacon)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of robert cheatham)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of ryan o'toole)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of tanya rubbak)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of tashi wada)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| Presence Series - Duet [ for Orin Hildestad & Michelle Lou ]
| (adam overton)
|
|
| Present Joys
| (James Orsher)
|
|
