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Browse Scores by Title: (A-to-Z | Z-to-A | random | recent | by year) [ show all | hide descriptions ]
Current # of Scores: 2310
# a b c d e f g h i j k l m n o p q r s t u v w x y z | all
| Pyramid Gambit
| (Daniel Barbiero)
|
| | purity of today
| (Mark So)
|
| | pulse
| (Tomasz Krakowiak)
|
| | publicprivate 2
| (Francesco Gagliardi)
|
| | publicprivate 1
| (Francesco Gagliardi)
|
| | Publicly Bohemian in 3's
| (Jesse Carlson)
| Start singing and see what happens
| | public bathroom piece
| (adam overton)
|
| | psychodrama for Andre [gnutella]
| (adam overton)
| for Andre Vida
| | psychodrama for Andre [gatorade]
| (adam overton)
| for Andre Vida
| | Proximity Dance
| ( : open to all levels :)
| An invisible performance for one person in a populated indoor space.
| | proving to D'Lo that I'm gay
| (Anatomy Riot #33 - Scores for a Recession)
|
| | Proverbs for Paranoids
| (Leo Svirsky)
|
| | Prose Anthology 1983-88
| (Daniel James Wolf)
| Including: DISTINCTIONS for small ensemble / CONNECTION (After William Billings) for ensemble / SCHOOL OF LEVITATION for any bowed instrument / ELECTRONIC PIECES: 1. All the wrong places, 2. Funhouse, or She Came Back, 3. One Last Wave / LARGE ENSEMBLE / BACKYARD CONSPIRACIES / SERENADE / SATISFACTORY RENOVATIONS OF FAMILAR CONTENTS / SARDINES
| | prose
| (Daniel James Wolf)
|
| | Proportions Score
| (Arianne Hoffmann)
| one of the scores from the Bricklayers With A Sense Of Humor project
| | project reflect refract
| (Michael Winter)
|
| | Projected Space 1.x for Harmoniums and Recorded Medium
| (Luke Thomas Taylor)
| Piece for one or more Harmoniums to be performed with a recording of the previous performance. This is a card shuffling piece, so the file should be printed to 3x5 cards. Contact me if you'd like to perform it and I will provide you with the latest recording.
| | Prime Decomposition
| (Michael Winter)
|
| | Primal Urges
| (MARTIN BACK)
|
| | prima ballerina baller
| (ZCZLL DFGL)
|
| | pretend you've been meditating all along meditation
| (experimental meditation database)
|
| | Pretence (for four instruments)
| (Brian Lavelle)
| A short piece for four quiet, and quieter, performers
| | Present Joys
| (James Orsher)
|
| | Presence Series - Duet [ for Orin Hildestad & Michelle Lou ]
| (adam overton)
|
| | posture series (of tashi wada)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of tanya rubbak)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of ryan o'toole)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of robert cheatham)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of raven chacon)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of rachel manderfeld)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of orin hildestad)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of nat slaughter)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of mike winter)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of michele yu)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of michael pisaro)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of michael parker)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of mark so (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of mark g. so)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of mark allen)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of mari garrett)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of madison brookshire)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of lewis keller)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of laura steenberge)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of lara bank)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of lailye weidman)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of katie clark)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of johnny chang)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of jessica catron)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of haruko tanaka)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of hana van der kolk)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of gerhard schultz)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of gary flom)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of eric km clark)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of dorit cypis (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of dorit cypis)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of devin mcnulty)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of david kendall)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of daniel clay)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of corey marc fogel (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of corey marc fogel)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of christine tavolacci)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of christa graf)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of catherine lamb)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of cassia streb (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of cassia streb)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of casey anderson)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of carol mcdowell (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of carol mcdowell)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of brooke taylor smiley)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of ben davis)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of asher hartman)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of april guthrie)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | posture series (of aaron spafford)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
| | Post-jazz video piece
| (adam overton)
|
| | possible round(s)
| (Casey Anderson)
|
| | possible dust
| (Casey Anderson)
|
| Positions [Of Potential And Respite] For Musician
or
It's up to you to save the world, Eric km Clark
| (adam overton)
|
| | porcuppine
| (Lacey Bergins)
|
| | pop song meditation
| (experimental meditation database)
|
| Popp Song Performance for Nancy
and
Nancy Popp, the Drinking Game
| (adam overton)
| two devotional pieces dedicated to the fabulous Nancy Popp, handed out as notecards and demonstrated to those in attendance
| | Ponytail, for performer or performance
| (adam overton)
| during any performance: ponytail
| | polyrhythms (construction)
| (adam overton)
| polyrhythms with/against nearby construction rhythms ...
| | POLITIKMUSIK
| (Mark So)
|
| | Poke Piece
| (adam overton)
|
| | Pokemon
| (Megan May Daalder)
| POKEMON SNAP [ HUMAN EDITION ] is an opportunity to observe, study, and document humans from the perspective of the pokemon, creating an inverse relationship between humans and these otherworldly creatures.
| | Poem in Three Parts [readings 40]
| (Mark So)
|
| | POEME
| (Mark So)
| permanent marker on transparency
| | pneuma.sarx
| (Martin Iddon)
|
| | pneuma.pistis
| (Martin Iddon)
|
| | pneuma.kharis
| (Martin Iddon)
|
| | plus 489
| (ZCZLL DFGL)
| (for sol)
| | plumes out on the ocean
| (Mark So)
|
| | plot your departure meditation
| (experimental meditation database)
|
| | PLI
| (Mark So)
|
| | Plays the Internet
| (Todd Lerew)
|
| | PLAY
| (Mark So)
|
| | Platow
| (Mark So)
|
| | piss piece
| (adam overton)
| for solo performer, possibly with assistants
| | pinecone piece 9 (giant fucking glitter cone)
| (adam overton)
| for Kate Durbin
part of a series of pinecone pieces
| | pinecone piece 6 (mystical(?) pinecones)
| (adam overton)
| for Samantha Mitchell
after Claire Cronin
part of a series of pinecone pieces
|
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